An Inescapable Pattern

Nonfiction by | March 13, 2016

“Mao lang man na iyang ginapalit,” Mama told Papa with a seemingly proud smile. “Mga libro.” I was already a teenager at that time when Papa asked why I had a lot of books. He did not know I loved—worshipped—books. What kind of father does not know his daughter’s hobbies? Well, I have a seafarer for a father.

He sounded like he was annoyed by the pile of books I had in my sister’s room. I had just bought more and that made him ask. Of course he would not know. He is basically a stranger, if you ask me. It would sound rude and it would surely hurt him but he is a stranger to me. As a seaman, he lives in a ship that travels around the world for nine months. That leaves him three months to spend with us at home.

I always remember the first time I met him. I was about four or five years old when we drove to the airport one day. Of course I did not know then that it was the airport or even what that place was for but I was with my mother and my sister. I remember holding Mama’s hand when a dark-skinned, tall, and buff man walked towards us. Mama enthusiastically asked “Sino yan?” The man wanted to give me a hug but I have always been afraid of strangers so I wailed and wanted to hide from him. It must have been embarrassing and painful for a father who was excited to meet his daughter for the first time after working overseas. I could have at least let him carry me or just stared at his face in wonder. Instead, I cried.

But he brought me chocolates and dolls. That was his bait. From then on, I learned the concept of wanting and needing a father. But my father always left. And I used to cry every time he did. Even at the age of seven, I wrote him a letter that asked him to work in the Philippines instead so our family would be always complete. I was willing to give up my toys and chocolates just to have him home.

Filipino TV shows and foreign movies told me that fathers should treat their kids like princes and princesses. I saw scenes where fathers carry their kids, tickle them, lift them up in the air and drop them just to catch them and hear them laugh. Fathers tuck their children in and they hush them when they cry. And when they grow up, fathers talk to them and they go home to more than one best friend. That was why I wanted my father to stay. I wanted what the books and the films showed to be real.

Since my mother was only one who took care of my elder sister for three years after they got married, the way she raised my sister was the same as how she raised me. We were guarded. I could only count the times when I was able to play at school after class because Mama always fetched me on time.

Most of the time, I stayed at home and I had no choice but to read. Well, I always spent time with my cousins who had a collection of Nancy Drew and Sweet Valley High books and they were my first influences. The books were my obsession when I was not allowed to play. Instead of running around and getting sweaty and having asthma attacks, I sat down and read books. I knew how to write letters even before I went to kindergarten so I learned how to read early. Books were suddenly the most amazing thing in my small world. I could see Nancy Drew and her friends collecting clues and catching suspects in every mystery and I wanted to be like her.

Soon enough, I started writing my own Nancy Drew mysteries. I spent long hours in front of our computer, just typing and imagining. I did not make sense then, most probably. But that was when I started writing. That was when I started keeping diaries and journals. Writing became a normal part of my life, just as normal as my father’s absence had been.

It must have sucked not being able to always hang out with friends because five o’clock in the afternoon was already too late not to be at home yet. But it was the only life I knew, my mother always complaining about me not leaving school immediately after class because our house is a bit far from the center of the city and getting home late is dangerous. We were Christians and she did not even allow me stay for Bible studies in high school.

I was not—and am still not—very good with talking to people. I gossip with them and talk about emotional stuff but I can write better rather than talk. I could understand things better when I used metaphors—“I was blue when my father left again for the nth time.” or “My father’s presence is a Band-Aid.” I could calm myself down with similes and hyperboles. I could make sense out of everything when I see them on the page.

My father’s absence probably had me always looking for something that I think is missing, something that writing could help me identify. When I was in high school, I was fond of writing sappy love stories. Even now, I still even prefer reading romantic books. Maybe because I do not know how it feels like to have a man with me every day? That is why I watch films that could give me an idea of how it is like. I write stories that could make me feel like I know how it is like.

I think it is because I know there is something missing in me that keeps me looking for it, making me purge everything in me until I know what I want to find. Maybe because I hate the way I was put into this kind of life. A father leaving every now and then, going “home” to a family he does not know. And he cannot even apologize because he will never run out of absences to apologize for. I hate having to pretend that it still saddens me when he leaves. He could wake me up at four o’clock in the morning to kiss me goodbye before his early flight and I could be half-awake and hear him leave and still feel indifferent. I hate having to pretend that I am excited to spend time with him when he comes home.

I hate pretending to be the daughter he wants me to be. I hate pretending that hanging out with friends until late night does not excite me or that reading books is still the only thing I love doing. I wear clothes that are not just a simple shirt and a pair of pants, I curse, I could spend the whole day just being inside my room, and I have opinions that are different from theirs. And he does not get that. I hate not knowing how it is like to have a father. I hate not knowing how to be a daughter. And I cannot apologize.

“I cannot do anything,” he said, sounding angry. “My voice is like this.”

He always sounds angry and I kind of hate him for that. He sounds like he is resenting me and that makes me scared of talking to him. I refused to eat dinner one night when my parents and I had a fight. The cellular network failed when I was out with my high school friends and I could not contact my mother to update her of my whereabouts. I went home to two angry parents who did not even ask for me to explain myself.

I had plans for the next day after that night. I was going to take my dog to the park with my boyfriend, and because of what happened, they did not allow me to go out. We ended up not talking to each other. When my mother saw me crying inside my room, I could not help but explain to them how unfair they were. She blamed me for their quarrel and I just sat there with my unheard words drowning my brain. She called my father and made him sit down and listen. And in every sentence I blurt out, my father begins his own as his defense. “You’re always angry,” I said. “You never listen.”

It was not my fault that I could not call them. I tried to tell them that but they had to wait to catch me crying inside my room before I could be asked to talk. And I hoped that my father, for once, would realize how scared I was of him.

Sige,” he said. “If that’s what you think, I will never talk again. Everything I say is wrong.”

He stood up and walked out of the room. I never wanted to talk to him again.

So I write. I write like I can control things and people. I can write the kinds of lives I want my characters to live. I write like I am in control, like I have all the choices and I will never run out of them. I write to see different situations, to see that I am not stuck in my own. I write to meet people I cannot meet in real life. I write to keep myself grounded, to remind me of my reality and make me accept it.

I sometimes look at him and wonder. Reality failed to be like the movies and books. I do not have a man who scares boys who would break my heart or a man who scares boys who would ask me out. There is nothing but inevitable anger. It is like I was born with it. This is just a part of the pattern that I have been following for nineteen years.

His constant absence is a big part of my existence. At the age of nineteen, I have gotten used to being a college girl who is away from home most of the time. My circle of friends has become wider than ever and my principles have changed. Aside from reading books, I have grown to love other hobbies such as getting drunk and smoking. And I have lost old beliefs too, like my old obsession of worshipping God and believing in His miracles. I have come to the point when I have seen the other side of life. The life I promised myself before not to live because my family made me believe that it will not take me anywhere.

My father tries. He knocks on my door and greets me good morning like he used to. He talks during dinner like he knows the people in our lives. He tells us jokes like he knows what is funny or what is not for us. He listens like he knows what happened or what was happening. He tries to act like he knows how our lives work. He tries to be a father who knows his family. He tries to fit in. Like the way I try to make sense out of everything through writing. I try to find the words that fit, the words that could make the vague things clear. That is all we have left to do for now.

___

Julienne San Jose Batingal is a third year BA English (Creative Writing) student of the University of the Philippines Mindanao.

Dayang-Dayang

Fiction by | March 6, 2016

(A re-imagination of Ibrahim Jubaira’s “Blue Blood of the Big Astana”)

I.

Although the heart can no longer remember, the mind can always recall. The mind can always recall, for there are always things to remember: joyful days of privileged childhood; playing tag along the seashore; learning to love, lose, and everything in between. So I suppose you remember me, Jaafar.

The day of your arrival caused quite a stir in the astana. I was told that we were expecting someone who was supposed to take care of me. No one could have prepared me for you, five year-old Jaafar. You were made to live with us. We were around the same age back then. I didn’t know I could be looked after by someone who probably had the same wants and needs as I did.

From my bedroom window, I watched your Babo wipe snot from your harelip. She really loves you, noh? She treats you as if you were her own. I was still watching you hug your Babo with your little arms when Amboh knocked on my door. She held my hand as we descended the stairs. It was time to go down and meet our newest tenant, five year-old Jaafar.

“Why are you like that?”

You seemed taken aback by my question. I could not blame you. But your harelip still held my attention. I have never seen a person with such deformity before. I could not stop staring at it.

“What happened to you?”

Your Babo explained how you got your harelip. My chest tightened with guilt by the time she was done. I did not know how such accidents could happen, and how much it affected an unborn baby. Still, I could not hold my flinch back when you tried to kiss my hand.

Despite the harelip, you were a good servant, Jaafar. You obeyed every single order without hesitation. Appah and Amboh only had good words for you whenever your Babo came to visit. But you wet your mat almost every night. I never did such a thing, and you were born one Ramadan before I was. You cannot blame me for laughing whenever your mat gets soaked after another night of failing to hold your pee in.

You were everywhere, Jaafar. I did not want any other playmates. They did not have a harelip like you did. There were times when I could not tell whether you were laughing or crying. I liked to play with you to see how your harelip reacted to the things I did. You even laughed along with me, even if you knew you were laughing at yourself.

I loved bringing you with me to my Mohammedan classes. My classmates, much like me, also found your harelip interesting. We tell you to do the most mundane stuff, like talk, or laugh, or eat, and your harelip became our class clown.

“Dayang-Dayang, do you need me to do anything else?”

“Jaafar, smile for them,” and you would gladly do whatever I asked you to.

Uyyy! Jaafar has a crush on Dayang-Dayang!”

“Dayang-Dayang has a harelipped boyfriend!”

“Do you like him too, Dayang-Dayang?”

These jokes from my classmates brewed something in you, Jaafar. I could tell. You liked it when we swam together in the sea. Afterwards, you washed my hair and rubbed my back, even if you did not need to. You took Goro’s beatings originally intended for me. I never asked you to. You know I would never do all these things for anyone, ever.

You were at your lowest point when your Babo died. I did not know how I was supposed to treat you during that time.

“I’m all right, Dayang-Dayang. I just want to be alone,” was what you would say whenever I would ask you to go to the beach and swim with me.

So I left you alone, Jaafar. But I overheard your conversation with my Appah. He was wondering why you refused my offer to visit the beach, like we often did.

“No one will love me like my Babo did, Pateyk.”

 

II.

We grew up together, Jaafar. You witnessed how I bloomed into a young teenager. I witnessed how you grew into a fine, young man. Your harelip stayed with you, even if everyone eventually grew used to it. The trips to the beach stayed, but the routine we have previously established went away with our innocence. During a particular time at the beach, you muttered a question nervously.

“Would you like me to rub your back or wash your hair, Dayang-Dayang?” I raised an eyebrow at you.

“Are you out of your mind, Jaafar?”

That day was the first and only time I left the beach alone. The days that followed were spent pretending that never happened. Things were back to normal after that. I never did learn to hold my laughter in during your attempts to capture my attention with your infamous harelip.

My other friends were starting to get married, one by one. Amboh hinted at arranging my marriage to a young Datu from Bonbon soon enough. I could not object. I did not know if I wanted to object. After all, my life was planned out before I was even born, and I could not ask for anything more. Appah and Amboh never deprived me from the luxuries they could offer. I had everything I needed and I was given anything I wanted.

“Do I deserve any of this, Jaafar?”

You looked at me, and your harelip trembled slightly as you raised your hand to touch my face.

“Don’t ever let anyone think you don’t deserve the world, my Dayang-Dayang.”

Appah arranged for a huge dinner to introduce me to my husband-to-be. I did not dislike him, but I did not like him either. The real issue was I did not know a thing about him. But I had to admit, the young Datu’s physical appearance did not hurt.

Appah wanted us to get married as soon as possible. The days that followed our first meeting were spent for pre-wedding flurries. The only thing I had to do was to fit what I had to wear for the occasion. Everything else was up to Amboh and Appah.

I should not complain. I had every reason not to. I am one of the most blessed daughters in the world. But I did not want to be away from my parents. I was not ready to leave the big astana behind. All my life, I was with people I trusted. Why am I being forced to marry a stranger?

But there I was, waiting for my life to take that terrifying leap it won’t recover from.

The wedding day came two weeks after we met. Datu Muramuraan knew so many people, I can hardly keep count. So that was what the astana extension was for. Appah wanted our astana to accommodate these people who came to celebrate the union of two strangers in the name of marriage.

I caught you watching us, Jaafar. Your harelipped smile made me stifle a laugh in the middle of the supposedly sacred ceremony. That little exchange was my favorite memory during that night.

 

III.

On our first night as a married couple, I forced myself to be intimate with Muramuraan.

“Dayang-Dayang, I will take care of you.”

I let him take care of me.

I let him explore my innermost crevices.

I let him roam every part of me.

Years flew by. I have learned how to tend a family. Waking up meant another day of looking after the people I love the most. The time has come. Finally, I am being referred to as Amboh. My husband has been nothing but good to me. Together, we live a peaceful life in Bonbon with our beautiful children.

Amboh and Appah could not be happier. The astana buzzed with life whenever we come home to visit. My sons came to love the place we grew up in. Where were you, Jaafar?

“Dayang-Dayang, we couldn’t find Jaafar after your wedding,” Amboh answered me as she combed her fingers through my hair.

I could have made you come with us. You could have lived with us, Jaafar. You did not need to be away from me. I did not want to be away from you. I did not know how to live without you, harelipped Jaafar.

Visits to the astana became less frequent after things got hectic. My sons grew old enough to go to Mohammedan school. On weekdays, I had to wake up before anyone else did. I had to take a bath and prepare the things they needed for school. I cleaned the house up a bit. Afterwards, I had to cook breakfast for everyone. No, I did not have anyone to help me do all these. Life is so much different from the one I was used to. But I grew used to this one, too. The love from family I made with Muramuraan was enough to keep me going.

That is, until Muramuraan got arrested. Jaafar, I did not know life could get this cruel. He dragged Appah with him to a mess he insinuated. I did not know he was brave enough to rebel, Jaafar. I did not know he could risk the life we built together for something he was more passionate about. To top it all off, Amboh died after Appah got arrested with Muramuraan. Everyone has left me.

But I had to be brave, too. Not in the same way my husband was, but in my own way. My sons did not have anyone else to depend on. I would never, ever, let go of the most precious gems in my life.

Jaafar, I was thankful the day you decided to show up. I thought you were dead. I was finally starting to get used to not depending on anyone, Jaafar. My sons needed me, my sons had no one else but me. But when you showed up, I could not hold back my tears. How I missed that harelip!

“Oh, Jaafar!” I hugged you with all the days I forgot to remember you.

Catching up meant having to accept how much you have went on without me.

“I live in Kanagi now, Dayang-Dayang.”

“What are you doing here in Bonbon?”

“I’m here for business. Panglima Hussin has cows he wants to sell.”

I wanted to ask if you were married, Jaafar.

“I see you’re a landsman now, eh?”

“Why, if Dayang-Dayang can live unlike the old days, then I can, too,” you were chuckling.

I felt ashamed of where I stand now. I turned away from you as I felt tears brim my eyes. I am sorry for being rude, Jaafar. But you do not need to see me crying now.

“May I go now, Dayang-Dayang?” I could not do anything but hope you saw me nodding my head. The sound of your footsteps disappeared after a little while. I was certain you would never leave me, Jaafar. I was ready to welcome you back into my life.

But I do not deserve you. I have been nothing but horrible to you, and it is unfair of me to expect the opposite from you. But you must know that I could never forget you, Jaafar. You are still everywhere—you and that harelip of yours.


Emmylou Shayne L. Layog is a student of the Creative Writing program of the University of the Philippines Mindanao.

Runaway

Nonfiction by | February 28, 2016

Slowly, the knob turned followed by the click of the lock. On the fifth of November, a familiar voice shouted, “happy monthsary”, but in front of me was nothing but a wall. When I took a peek at who was on the other side, the first thing I saw was your red leather shoelace, and my reality dawned: my phone never rang and the fifth was never ours to celebrate.

It all started when we swapped messages while I was on a weekend trip with my friends. Nothing was ever completely realized until we went on a date a week later to validate what we felt for each other. After two days, we became a couple. It was the tenth of August.

Fast forward to a month after a slew of cloud nine’s: you affirmed your love to me with the admission of falling for someone else. It happened on your birthday, but the surprise was on me. Anything unexpected catches your attention and just like a boy given a present on Christmas day, I believed great things would still unfold. Truly great it was because immeasurable pain after another plagued the relationship.

Continue reading Runaway

Before

Poetry by | February 28, 2016

Before
we had the words
We had the
letters
To speak,
to devour
To learn,
to earn
Before we
had the world
We had each other
To say those
words
to speak,
to devour
To earn each other
Before we had
Justin Bieber
We had
Shakespeare
To tell us to love ourselves
Away
from vanity
And so before
We had
each other
I had
mine
Before we had the
city lights
We had the
stars
To umbrella us
From the falling
dreams
feelings
And before we forget
Before we have
tomorrow
We had this
night
to speak the
words
to dance with
the city lights
to be with
ourselves
to be with
love
to devour,
to earn,
to learn
Once again
before


Brad is a graduating student of Bachelor of Secondary Education-English at Xavier University-Ateneo de Cagayan.

Looking for Words

Nonfiction by | February 21, 2016

  1. Mother (noun) – Ina

Growing up amidst small hills was a gift flipping pages of books and getting wrapped with orchestras of words each time.  My mother told me once that she placed a souvenir of my first haircut inside an English- Tagalog dictionary, the sole book in the house three years before the world hit the millennium mark. A friend suggested that to her, so the baby would love books.

I remembered Papa in his school uniform, standing by the door. My brothers, Brandon and Patrick, ended their Pokemon card battle. The three of us raced toward him, placed his right hand on our foreheads one by one, and grabbed the bag of candies from his left hand.

“Let us eat first,” Mama said, gazing at us from the kitchen.

 

  1. abide (verb) – umalinsunod

Mama enrolled me at Calinan Central Elementary School since she worked there as a teacher in Edukasyong Pantahanan at Pangkabuhayan and Musika, Sining at Edukasyong Pampalakas. The class adviser greeted us with her kindly smile. She placed a Manila paper on the blackboard and asked us to repeat after her, pointing the stick on the first word, “ab-ide”.

“Make sure you’re at the top of the class.” Papa was kind and patient, but he expected much from us in terms of our studies. Despite the hardships he faced , he was an honor student all his academic life in Surigao del Sur. During meals, he would narrate how they needed to wake up at three in the morning, do chores and prepare for school, otherwise they would be forced to kneel on the floor with outstretched arms.  He also shared how fishing helped him with his studies until he became an educator. “You are provided with almost everything. All you have to do is to ask and study,” he would frequently tell us.

When the teacher posted the class ranking, I didn’t know what to say. I was second.

 

  1. page (noun) – pahina

“I’m disappointed. Your mother told me. ” Papa said.

“I’m sorry. I did what I could. But Troy was proficient in all subjects. I kept struggling with Math.”

“But the school sent both of you to the Math contest, right?”

“They did, because they knew you were my father.”

“What’s not to understand?”

“I tried. I was second.”

“You could’ve just asked for my help.”

“You were busy. ”

“Why were you afraid to approach me?”

“I asked you once about a word problem Papa. You taught me how, but I wasn’t able to get it. You got angry.”

“What? You know… all that I did and said was for your own good. I hoped you will see that one day.”

Papa went out of the room. I cried. It wasn’t 65 or 75 but having the grade made me feel like I was falling from a cliff. The fog blurred my sight.  The rocks pierced my back.

I opened the notebook and let fear and sadness scribble themselves. In writing, I never had to ace all tests.

 

  1. sea (noun) – dagat

Summer arrived in a flash. I woke up at seven, drank milk, and walked toward the living room, avoiding to create a sound.

“Good morning Ate,” Patrick said, holding the remote control, eyes glued on the scene where Batman was chasing a thief. I wanted to watch fairytales.  Should I exercise my power as the eldest child?  I thought.

Brandon came out of the bedroom, grabbed the object from Patrick and raised it in the air.  Patrick reached for it but he couldn’t, so he covered the television button instead.

“I want to watch Sineskwela, “ Brandon said.

“You too, stop. Brothers should not quarrel with each other. Give me that,” I said.

“But…”

“I’ll tell Mama and Papa about this.”

Brandon gave me the remote control.  He went back to bed. The show ended, and Patrick decided to play basketball next.

I watched Grimm’s fairytales on television. The episode was based on Jacob and Wilhelm Grimm’s Little Mermaid. Sirenetta exchanged her voice for a pair of legs since she wanted to be with the prince whom she  had rescued from a shipwreck. When the prince took her to the palace, she found out that he was already engaged. In her sorrow, she went to the shore, and there she heard her sisters’ voices, urging her to kill the prince with the dagger so she could return to her old self.  However, love and pity conquered her. She ran and let herself be one with the sea once more. Fairies saw her and they carried her body as they flew to the skies.

Tears formed bubbles around.  I wanted to give Sirenetta a happy ending she deserved.  Writing gave me power to change and create, to make the impossible possible.

 

  1. walk (verb) – maglakad

My parents enrolled me at Daniel R. Aguinaldo National High School under the Engineering and Science Education Program (ESEP). I didn’t know of schools here in the city that offered Writing curriculums, so I obeyed my parents’ wishes. The first few weeks were fine, but learning science required the skill and precision in doing laboratory experiments, which I lacked.

“Class, I will divide you into five groups. You will present a chapter of Ibong Adarna,” the Filipino teacher said. That was the sweetest news I heard for the day. The teacher assigned the last chapters to us the part where Don Juan chose Maria to be his wife and queen of Berbanya.

Writing helped me fare in the program.

 

  1. candle (noun) – kandila

I was confined at Brokenshire Hospital, the only place with vacant rooms during the outbreak of dengue around July 2010.  Every now and then, medical technologists would get blood samples. None of my fingers were spared.

“You were being prayed for. But you should also pray for yourself,” Papa said.

“But who could pray at this state?” I said in a low voice.

The next day, Mama left for home since my brother had a fever also. I was scheduled for a heart examination that afternoon. A medical technologist came into the room two hours earlier than he was supposed to.

“Her platelet count dropped to four and we need to get a blood sample right now.

We said our prayers. The schedule for blood transfusion was cancelled. People never had the ultimate control of their lives, I thought. No one knew when would death break in or knock on the door. I realized I had to make the most of every minute, and make the right choice.

 

  1. rose (noun) – rosas

The classroom seat plan changed by the time I came back to school. I was transferred to the fifth row. Ian, a tall lean guy who I met last year in a spelling bee contest, greeted  all of us at the back.

Antoine de Saint Exupery’s The Little Prince was the next reading material for our English class. The teacher tasked us to read and perform a scene from the excerpt. Christine and Ann already had their partners, so I asked my seatmate Marie instead.

What is essential is invisible to the eye. I pondered on those words. This world needed peace, I thought.

“That was good,” Ian said.  He was a literary writer from the school paper. The way he used mundane objects — the leaves, for instance as metaphors for his thoughts fascinated us.

Ian would share his poems to me every lunch break. That started the bond only the two of us had then.

 

  1. detour (noun) – magditur

Classes in ESEP ended at six in the evening. Almost all jeepneys were filled with passengers. By the time I reached home, my family was already in their bedrooms.

“Are you all right?” Mama asked.

“We were thinking of transferring you to a nearer school.” Papa said.

 

  1. gift (noun) – regalo

Adjusting to a new environment in Davao City Special National High School was not that difficult since I had known some of my classmates there from elementary.

I joined the school publication in Filipino, and worked as a News writer. It paved the way for more writing opportunities for me. My Filipino teacher sent me as the school’s representative for the University of the Philippines Mindanao Communicator’s Guild First Mindanao-wide On-The-Spot-Essay-Writing-Competition in Filipino.

The topic was about our stand on the government’s decision to pardon suspects of the Maguindanao massacre . I said in the essay that I was against it because it was unjust, and I showed how the youth could take part in this issue by raising awareness, for instance. Results came out after a couple of days. I received a medal and a cash prize.  Being the champion made my parents happier, and proud of me once more.  God willed it, I was certain.

 

  1. face (verb)- harapin

“Take up Architecture.” Papa’s words made me think.  I sketched a little but I still doubted whether I could do it.  I feared contradicting him.

They enrolled me at the University of the Philippines Mindanao. From a distance, the building looked like an unfolded scroll. This was the start of my new journey  the road to the future.

Being in the Architecture program made me feel like I was a fish out of the water. Orthographic projections, for instance, tormented me. Analyzing how a three-dimensional object’s top, front and side view would look like in two-dimension was hard for me.  The rest of my classmates were receiving A+s in their plates. My usual grades were B-s.

 

  1. zone (noun)- sona

It was about seven in the evening when I came home. The T-square, triangles and tracing papers waited for me. I stared at the  Bachelor’s pad plan for almost an hour. Perhaps I could add spaces like a bar or a library. I was crying inside. I lifted the technical pen and sketched a zoning diagram — similar to an outline of a piece.

Mama entered the room, bringing a cup of hot chocolate, biscuits, and storybooks. She placed these on the table by the bed.  The warmth of her palm soothed my shoulders.

“You should rest.”

“I just have to finish this.”

“Okay then. Please read this in your free time and write additional questions. I will give this as an activity to my pupils.”

I left the tracing paper by itself. I picked up the book Why the Town Is Sleepy. Reading it reminded me who I was, what I could and could not do.

 

  1. shift (noun) – turno

I gathered my courage and opened the door to my parent’s room. My chest was pounding. Mama was lying in bed, watching a television show.

“Mama, I have something to tell you. ”

“Yes?”

“Ma, you have seen the days when I am almost sleepless. I cannot draft fast and accurately at the same time. I want to shift.”

“You are already there. Your father would not want you to do that. Try to work faster, do not mind the pressure.”

“I can’t. I tried.”

“Did they fail you?”

“I did in Math. Almost in Drafting.”

“Why would you give up? All courses are difficult.”

“I know Ma and it seems harder for me because I lack the skills.”

“Did they kick you out?”

“No, Ma.”

“The expenses.”

“I cannot go on like this”

“What course are you planning to shift to?”

“Creative Writing.”

“I’ll tell your father about that.”

 

  1. voice (noun) – boses

“Why?” Papa asked.

“I’m sorry Papa. I did what I could.”

“I’m sorry I did not ask you.”

“I’m sorry I did not tell you. I was afraid to go against you.”

He embraced me tight. I felt I was a young girl once again.

 

  1. force (noun) – pwersa

I remembered making Newton’s cradle for our final project in Integrated Science in my first year in highschool. I asked Papa to buy me a piece of styrofoam and string. I picked up thin pieces of wood in the backyard and borrowed marbles from my brothers.

I attached the thread of the string on the hook at the top of the marble. Then, I glued it on the wooden horizontal bars, and placed it on the styrofoam. I pulled the first string and released it. The last ball was supposed to move but it did not. For several hours, I modified the length of the string and tried until the last ball swung, moving at least an inch. “For every action, there is an equal and opposite reaction,” Isaac Newton once said. The cradle taught me that one’s decisions lead to more of it, pulling and then releasing three balls meant that three balls would swing forward in return.

 

  1. flow (verb) – dumaloy

Carlos Angeles’s “Gabu” was one of the literary works that struck me most.  The poem depicted an image of a wave coming back to the sea as soon as it reached the shore. It reminded me of the moments when I had to return to where I came from, and to face, examine, and conquer the pains of the past, in order to find purpose in this life, and to move forward.


Joanna Paula M. Cagape majors in creative writing at the University of the Philippines Mindanao.

Asteroid B-329

Nonfiction by | February 13, 2016

I

“And I saw a most extraordinary small person,
who stood there examining me with great seriousness.”

When I was younger, I came upon a small book in one those huge plastic boxes my mother used for storage. It was when my mother called for a general cleaning of the house. In the morning we pulled all the boxes from under the sofas, moved the chairs aside for the sweeping, waxed the floor, then took a break after lunch. The rest of the afternoon was lazy; my mother retired to her room, as did my Ate, who was the only one of my siblings who was in the house that day. My father, my brother and my sister were out. I picked through the storage boxes, searching for nothing in particular, just anything that would pique my interest. And then I found the book. It was thin, small, with messy, child-like illustrations. There was what looked like a hat, a sheep, a rose, and more importantly, a boy, alone on a small rocky planet.

The book belonged to my Ate, who told me, when I asked about it, that it was something I wouldn’t understand at my age, that it was ‘philosophical’. It was the word that made me think twice upon reading it. Words like that were heavy—incomprehensible, and adult. I tried to take her advice. But eventually, I found myself immersed in the book, lying on the abaca chair in the sala, dust floating in the air, exposed, as the afternoon light poured in from the open jalousies.

 

II

“I admire you,” said the little prince, shrugging his shoulders slightly,
“but what is there in that to interest you so much?”

The first story I ever wrote was a fruit of an envious me.  When I was ten years old, my seat mate in school wrote a story, about a gothic girl who started dating this rich, good-looking guy. The most vivid scene I remember was the first date, held in a romantic restaurant named Virgo.

It was not the story really that enticed me to start writing my own; it was because of the restaurants’ name, how it fit so well, how someone would make use of a zodiac sign’s classic  name to match the seemingly sophisticated image of a restaurant.

I wanted to create my own Virgo, wanted to name something that would sound, and feel so accurate to what I would create. That night, I started writing my own story. It was romantic still, but fantastic, largely based on an online anime-role playing game my Ate and I were playing at that time. The first chapter was hot among my female classmates—they told me how kilig it was, how good, and their excited squeals and spasms inspired me to write more. And I did.

Meanwhile, this seat mate of mine started spreading rumors of how unoriginal I was for copying what she had started. I never asked her why. I merely ignored her, and avoided speaking with her, until one day she tried back-stabbing me with a purposefully elevated volume in the school gymnasium, for everyone, including me, to hear. When we marched back into the classroom, I slammed my P.E notebook down on my armchair, faced her and told her what a bitch she was. Everyone in the classroom stopped to watch the show. I cried, like I usually do when I’m uncontrollably angry, and spoke every word through a yell.

“KA-BITCH MO GUD TALAGA!”

She looked surprised with my outburst, and apologized to put the issue to rest and save her from my embarrassing fit.

“Lagi, lagi sorry na. Jeez.”

She put it an amused demeanor, however, like it was nothing, and she was above it all.

The next day, we were civil. We did not speak to each other as we used to. Soon the seating plan was rearranged, grade five was concluded, and the next year, we were sections apart.

My story did not survive as well. Soon I came upon a dead end; I could not think of anything else to add, to keep the momentum of romance going, so I stopped. My classmates soon forgot about it as well, and the story dissipated into memory.

 

III

“…I have serious reason to believe that the planet
from which the little prince came is the asteroid B-612.”

Our house was not that big; there were three rooms, two bedrooms and a joint kitchen and sala. It didn’t give much space for playing, really. But I was small, and thin. Every nook and cranny in the house—the underside of tables, inside closets, under chairs—was big enough for me. The old zipper-locked closet we had in our bedroom used be my secret base, when I pretended to be a robo-cop with laser guns. In the space our sala had to offer, I ran around, riding dragons, doing impromptu dialogues to my enemies before I blast them to death. I make a special effort, however, to keep in mind that people don’t always win to keep it realistic. So from time to time, I do a dramatic death, my imaginary allies mourning their friend, lost to the hands of Lady Death.

This behavior—my “hyperactivity” as my mother would put it, in addition to my frequent interaction with invisible friends—led my parents to think I had ADHD. My Ate, the eldest in the family, and my brother after her, never acted like I did. My little sister was the closest I had to an accomplice in delving into the imagination, although her main interest was on playing house, and barbie. She indulged my crazy ventures, and in return, I played with her and her barbie dolls. Our play was not entirely confined to her idea of playing doll, though—I stripped her dolls naked, made them do fighting stunts, pretending they were Charlie’s Angels.

This feminine play, and my flamboyant attitude as a child, did not make my father happy. Once, he tried scaring me into becoming a “man”, or at least to his idea of it. It happened one afternoon, when I was playing superheroes with my sister in the bedroom. Fists clenched and hands outstretched, we screamed their names at the top our lungs.

“SUPERMAN, SUPERMAN!”

“HAWKGIRL, HAWKGIRL!”

“BATMAN, BATMAN!”

We took our play to the sala, our voices resounding inside the house. The door to my parents’ bedroom eventually opened, and out came my father, wearing his classic wife-beater, and a pair of shorts. By that time, I had in my lips, the name of the most prominent hero in Philippine TV:

“DARNA, DARNA!”

I reverted to yelling “BATMAN,” at the sight of him but the attempt was too late. He took me by my shoulders, shook me and said, “ Wala akong anak na bakla! Magpalalaki ka kung ayaw mong palayasin kita!”

A decent, yet naïve person would ask, how could anyone say such thing to a child? And a smart, educated answer would be, in this country, how couldn’t they?

At least, despite the fact that my parents couldn’t relate to how my mind works, they never really made it a problem, and just accepted the fact I was different. This however they just can’t seem to take.

 

IV

“You know—one loves the sunset, when one is so sad.”

I grew up scared. I had this fear in my head that just kept on growing and growing. By high school, my imagined universes stopped existing, at least, outside the house. If my parents could not understand, how could I expect any one else to?

Sophomore year, I was in transition. I conformed to the majority’s idea of a “grown up” little by little. Hair thick with styling wax, khakis customized to fit (no baggies allowed). I tried to find an identity that was acceptable, invisible, an identity that didn’t demand any attention, positive or negative. I needed to be in the background of things.

I knew I did a good job of it when one of my female acquaintances told me I was a happy-go-lucky kind of guy. And in retrospect, I was. I make it a point to smile as much as possible, to act like I’m riding along high school on a rainbow unicorn. Laughing was my thing, everyone knew, and ironically, it was the only thing that felt real.

I remember  my classmates threw jokes at me in turns, just to see how low my standards were for humor. He asked me, “Anong fish ang palaging dumidikit?”

The  joke was not even finished yet, but I was already chuckling by myself. I shrugged, and he brought down the punchline:

“Eh di, fish pilit!”

I enjoyed that fleeting pleasure, and laughed myself to tears.

 

V

“Don’t linger like this. You have decided to go away. Now go!”
For she did not want him to see her crying. She was such a proud flower…

I stopped playing with my friends in school. That had to go, if I wanted to blend in. I stopped picking up thin branches from the field and waving them, yelling spells from Harry Potter. I stopped doing scavenger hunts looking for invisible monsters, and stopped chasing cats. Instead, I channeled all those imaginative energy into something else.

Pre-school years, I was awarded Best in Drawing. I remember what got me that award was a drawing of a boy with uneven arms, one thin, and the other as thick as a tree. It was an ugly drawing, but I didn’t know that. I came up that stage and received that paper medal with pride. That award led me to think I had talent—sketching, painting, and the like.

 

I based my future on that. I would become an artist of some kind, a painter, or a landscape architect, designing gardens and backyards (buildings were too dull—plants and flowers seemed more interesting; I even thought of becoming a botanist).

All those adventures I couldn’t act out, all the play I repressed, I put them all into paper. And by that, I mean sketching comics; a teenage boy living in a world where superhuman powers were normal, a world with witches distinguished by the animals they turn into, or just a re-imagination of Digimon, giving more emphasis on the characters I favored. The attempt lasted for a long while, but even after successfully finishing a whole scene, I was never really satisfied. They never really seemed alive to me, despite all those lines, and shadings. That, and there was also the fact that my sketches were not entirely great. I believed I was good because everyone else in high school seemed worse.

I kept working on it, telling myself that after two years, I would be so much better than I was. One day, I decided to put the pencil down and told myself, this is hopeless. From time to time, I would still sketch a scene I think is worth sketching–an imagined sunset view of an ocean, a thick old tree overlooking a quiet creek, or a desolate desert under a starry night sky–and for a moment, I would convince myself all over again that I could sketch. And I honestly could…just not stories.

Throughout high school, I attempted writing novels in unused notebooks. It was on my third year when I actually finished one, a story about a boy who died, and woke up in a morgue, only to find out that he was resurrected by a princess from an another dimension. I planned it to be the first installation to my trilogy, inspired by an anime called Kaibutso Oujo, or Princess Resurrection. But by college, I decided to discard the project—I realized, after all the seminars our professors urged us to attend, what I wrote was pretty much plagiarized.

But by then, I had already written several other short stories, and I made sure they were products out of my own head. Writing, I discovered thanks to that seat mate of mine, isn’t far from sketching. When I write, I still sketch, I still shade, and erase, only I don’t deal with lines and figures—I deal with words. The best thing about that is, I think, that when I write, I find mobility, that movement I never found in sketching. The images, the people I sketch using the medium of language, move in sync with the flow of the words I write. It was the perfect channel, the perfect manifestation of the child-like eccentricity everyone seemed so bothered of.

 

VI

“When the little prince arrive on the Earth,
 he was very surprised not to see other people.”

I cried often as a child, but never because of a book. I did not know books were capable of making readers cry when I found myself silently sobbing in the sala, sitting on the woven abaca seat that one afternoon. I was confused.  How could a book make me feel so sad? I got my answer as I grew older, when books became my bread, and writing my goal.

Being alone is a constant upon living. Whether you are eccentric, or different. Whether you assimilate yourself into that odd concept of “growing up”, whether you are rich or poor, girl or boy, you will always be in your own planet, with your volcanoes and your own rose.

It was from that learning that I understood what writing really is. It is more than mere escapism. Wounded as we are, we tend to crawl under the protection of the literature, looking for solace, for signs that we aren’t alone in feeling lonely. From there we choose; do we hide behind the veiled truths of fantasy, as we fester in fear of confronting the demons that keep us from removing our masks? Or do we mend ourselves, use literature as armor and arms, instead of a bunker to hide behind?

I write because I am different, because I have a story to tell. But at the same time, I am different because I write. The two feed off each other like a snake eating its own tail. These things has set me apart from my family, my friends, preventing them to fully understand me, or even accept me. But at the same time, it is my redemption. One day I will write something that will move them the way the little prince’s story moved me. And one day, they will understand.


Nero Oleta Fulgar is taking up BA English (Creative Writing) at UP Mindanao.

Pabitin

Poetry by | February 13, 2016

Between earth and sky,
I am a small child.
I cannot reach the skies.
I see clouds of cotton candy,
crispy snacks, stuff toys
and bags of candies
hanging near the ceiling
which I try to grab,
along with other children.
It is a silly game of catch:
everytime the frame is lowered
a little above our heads
only to be lifted again
while we dance around in circles.
I push myself to heights,
but the things I want
are taken by other hands.
(The cord puller should give in
to my demands!)
I wish father is here to carry me
in his strong arms, to a height
where I could simply reach
for the things left
in the wooden lattice-framed ceiling.
If I can’t get
a single snack, stuff toy
or cotton candy
I would leave
to where I am free to eat
the ripe fruits I can reach
from my favorite guava tree.


Luisa Pasilan is finishing her thesis, a collection of poems, to complete a BA English (Creative Writing) at UP Mindanao.

Cagayan de Oro Writers Group Call for Applications

Events by | February 7, 2016

The Nagkahiusang Magsusulat sa Cagayan de Oro (NAGMAC), a community of literary writers and literature enthusiasts that aims to revitalize the local literary scene, is now open for applications. Applicant must be a native of Northern Mindanao and/or currently based in the region.

Minimum qualifications:
(1) Willingness and availability to go to official activities such as spoken word events, writing workshops, etc.
(2) Sincere passion for and interest in writing and regional literature
(3) Openness to sharing and learning from community fellows, mentors, and invited speakers
(4) High effort and quality of outputs in workshops and others

Membership categories:
(1) Category A – writers who have publication history and have received fellowships from regional and/or national writers workshops organized by reputed writing centers and institutes
(2) Category B – writers whose works have already been published in literary anthologies, journals, and books
(3) Category C – beginning writers
(4) Category D – general members
(Please see application form for required manuscripts to be submitted per category.)

Please download the application form via https://goo.gl/mz9jm8. Fill out, print, and enclose it in a short brown envelope together with the required manuscripts. Hand-deliver it (and the Php 200 registration fee) to our secretariat during or after the spoken word event on 12 February, 6 to 9 PM, at Chingkee Tea.

Membership perks include a chance to be mentored by established local writers, regular peer critiquing of literary outputs, first-hand information on the latest creative writing opportunities (regional, national, and international writers workshops, literary contests, among others), book exchange, discounts on spoken word events, and merchandise.