Kemohung

Nonfiction by | April 27, 2026

I never once questioned why fishes drown. The news of kemohung became so ordinary that it barely stirred a ripple in me. The word itself means “fish kill,” though, if you take it apart, it sounds like it should mean swimming. The logic never quite made sense, but we used it anyway. That’s the way with Philippine English: a word is bent out of shape but everyone understands it, so it somehow becomes right. Meaning, after all, is a shared agreement.

In Lake Sebu, fish deaths had become almost as predictable as the seasons. The Philippine News Agency even described it as a natural, periodic phenomenon. We never owned fish nets, and our home sat far from the lakes our town was known for. Farming was our source of living, so I couldn’t fully grasp the grief of those who depended on the water. If I’m being honest, I even carried a shameful gladness when kemohung came. I didn’t understand the weight of their loss; I only knew that Mamang would be happy, and so I followed her lead. To me, it meant she could cook her favorite uton bolok (rotten fish) again.

Rottenness somehow finds its way to the table as a delicacy. Our neighbor who has fish nets would knock on the door and give us some. The fish, once lifeless and floating, are cleaned and revived in a way. My brother, whom we trusted most in the kitchen, marinated them in vinegar, garlic, onions, and ginger to soften the sharp, lingering smell of death. Misfortune is now turned into something we can taste, something we can share. Our resources are limited, so nothing is wasted, not even loss. What’s better than free food anyway?

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Why Adobong Puti Is My Favorite Type of Adobo

Nonfiction by | February 23, 2026

Adobong puti is probably one of those dishes that is closest to my definition of “comfort food.” Cliché as it is, I always mimic the infamous Anton Ego spoon-drop whenever I eat this dish.

Preparing adobong puti is the easiest way to cook meat. You can screw up frying meat, but there is no way you can mess up adobong puti. All you have to do is put the meat in a pot or pan. It can be any meat, but I personally prefer liempo, or any pork cut with a good balance of meat and fat, together with the spices, vinegar, and salt.

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Offerings to No One in Particular

Nonfiction by | February 9, 2026

“A bunch of rubbish” was my initial thought when I saw it on my daily walk to school. It was in my periphery, an eyesore against the pristine pinkish-white walls as its background, nestled under the shade of a young but bent kalachuchi tree in its unassuming yet interestingly cluttered glory. You walk a few steps ahead and you’ll see the board exam passers of our university, perfectly lined up with minimal design, painting an obvious disparity. With my cheap phone, held together by wrist bands and wishes, I would take a series of photos of a makeshift altar of sorts by the roadside of our school campus between June and September 2025. I was always compelled to take photos, as it was ephemeral, ever-changing, and seemingly included everything.

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A Eulogy for Aida Rivera-Ford

Nonfiction by | February 2, 2026

The first time I came within the sphere of Aida Rivera-Ford was 58 years ago, when she cast me as one of her players in a short sketch performed before the student body of the University of Mindanao. That was also my first introduction to theatre arts. That experience encouraged me to join the school’s Dramatics Guild, which further honed my interest and passion for the genre. But it was not until 1982 that I seriously embarked on the world of legitimate theatre, owing largely to her orchestration.

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Staying Alive (Excerpt)

Nonfiction by | February 2, 2026

for Aida Rivera-Ford

On the eve of the Chinese Lunar Festival in October 2009, Aida Rivera-Ford invited me to her farm in Mintal to see sculptures of Nick Joaquin and NVM Gonzales made by National Artist Victorio Edades. I grabbed the chance to spend some time with her, a woman writer I considered a kind of literary mother for having paved the way for those of us who write fiction in English. I used to teach her story “The Chieftest Mourner” in my Philippine Literature classes and La Mujer Esa is an icon for me. As it turns out, Aida had a more interesting story to share. And it’s not the one about Don Jose Oyanguren, the Spanish conquistador who took Davao and whom she considers her soulmate.

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Make a Wish

Nonfiction by | December 15, 2025

When my nephew Jeff turned eight, I saw what a grand celebration looked like through his eyes. We had two kilos of grilled tilapia, a pack of his favorite hot dogs, a loaf of bread, three bottles of Coke, and a 350-peso bento chocolate cake that made him smile all night long. But most importantly, we had Uton bolok from our neighbor, literally, rotten fish. This was all his mother could afford while working away in Manila.

When she called that evening, Jeff’s first words were about the Uton bolok. He bragged about it because it was his mother’s favorite. He talked about his birthday, how happy he was, and his visitors, who were all his cousins. I couldn’t help but laugh. It was sweet how he could easily take pride in the simplest things. My siblings and I grew up like that, too, never with the luxury of asking for more. Gratitude, I suppose, was something we learned early; we were told to be thankful, and we understood what it meant to have just enough.

Growing up in the rural side of town, I don’t remember craving anything fancy. Food was just something to fill the stomach and keep us going. But when I left for college, my world widened. I wanted to taste, see, and know more about what life was like beyond our small Kohu back home. 

Kohu is a Tboli word for kitchen, and ours was special. It stood outside our house, with no door and one side completely open. Anyone could come and go. Most of our neighbors had theirs the same way, which made sharing easy. If smoke wasn’t rising from a family’s Kohu, it meant they hadn’t cooked their meals yet, so someone nearby would always send food over. Looking back, maybe that’s why life felt lighter. Continue reading Make a Wish

Weight of Small Dreams

Nonfiction by | December 8, 2025

“What’s your dream in life?” I started my class this morning with a simple question, the kind you throw lightly into a sleepy classroom.

I didn’t expect much. Maybe a few shy smiles, a few half-formed answers, and then we’d move on to the actual lesson. But sometimes, the simplest questions carry more weight than we anticipate.

The first hand shot up quickly, certain and confident. “Gusto ko makasakay ug airplane, Ma’am!” (I want to fly in an airplane, Ma’am!).

Another student nodded excitedly in agreement. Their enthusiasm was contagious.  Laughing, I also admitted that I hadn’t flown in an airplane yet, either.

It made us laugh. Three people on the ground pretending, for a moment, that we could soon ride that man-controlled big bird in the sky.

I thought about how wonderful it was to see them imagine something so free, weightless, and untethered. Continue reading Weight of Small Dreams