Dead Man’s Tales of Icepop

Nonfiction by | October 12, 2026

The ladies launched murmurs in the puroks Felomina, Saeg, Bayanihan, and Estrella. The habal-habal drivers marked in their minds the horrifying stories about the secluded shore of Icepop, or what locals call Ispaf or Spap. I asked my mother about the coast’s toponymy, but she, and the people of Barangay Calumpang, thought its name came from the sea there, which was as cold as an ice pop.

Since I was a kid, rumor has it that hundreds of dile-ingon-nato inhabited the trees, hills, and waters of Icepop. The sighting of santelmo, tree-dwelling agta, and processions of engkantos—name it, these stories live there. I had heard of such eerie encounters, and they always came from my father, Papa Nonoy. He was once the security guard of a private seaside property near Icepop. He had many spine-chilling experiences there, and this one was one of his most memorable.

One night, as he was heading home, he met a lady near the baybay. He did wonder why she was there, but he just shrugged it off since many people were using that property as a shortcut. Judging by her uniform, he thought it was a cannery worker on her way home after a tiring night shift at nearby canning factory. Innately kind, he offered the lady a ride. The lady was dead silent as she aboarded his motor. He pried into the lady’s life, asking why she was waiting in the dark, and why she left her work early.

Although he felt the weight of the woman and the coldness of her touch, he heard no sound but only the calm sea rustling from the clashing sea glasses. It was starting to become high tide, so he revved his motor.

They traveled the length of the shore. Since there was no other way to reach the common road but to take the sandy coastline, they took the risk as the water level rose. They did make it before the sea devoured them, but when he looked at his back, no traces of a being remained. Thinking the woman had fallen off, he went back. But he only saw the roaring high waves, and that’s when my father realized it was time to go.

Faster than the spread of the winning 4-digit lotto numbers, his nail-biting story coaxed the puroks and nearby. This had been a pulutan in every kanto, and words spilling over between sips of soft drinks in every sari-sari store.

My father’s name became the latest buzzword. He was a lay cooperator in Holy Cross Parish-Calumpang, and that story became his sermon in one of his bible services. Every time he reported to the church, the priests there would ask him about the white lady and his other supernatural encounters. And every story would always end with how his unwavering faith in God saved him.

I was always there, listening and taking it all in. Sometimes, my short temper got the best of me. I’d roll my eyes at every stop he made just to repeat his usual litany, asking when it would finally end. Little did I know, the end would come sooner than I anticipated.

A cold wind blew through the window in early June of 2017, just one week after my birthday. I was watching the raindrops slowly dripping down the glass as if they were in a race, trying to forget, even for a while, the quiet anguish of losing someone.

Papa Nonoy died a week ago in a vehicular accident. At first, he was fine since it was a sideswipe accident; however, his diabetes worsened his case, and his wound got infected. Papa had encountered many near-death experiences before, fighting every battle he had. But this time, death made sure to wipe its feet before coming in. I was not at the hospital when he bade his last goodbye because the school days had already started. I just woke up one morning, and my Ate’s husband told me Papa had already passed away.

That day, I felt the gravity gripping my back as a salt stream ran through my eyes. I was drowning as I washed the rice, still doing my household chore, believing he might come home hungry. I questioned everything. I even questioned my faith—the one that my father had left for me.

After several tormenting and nauseating visits to the funeral homes, the coffin of Papa Nonoy arrived. My family, religious yet superstitious, did not let the coffin enter where it would exit, or else my father’s spirit would be trapped in our house. So, they wrecked the wall of my room and removed my curtain-draped doorway to let him in. I chuckled at the thought of my father haunting us. That very man who had toughened himself all his life would scare the thing he had sworn to protect.

Just as we settled him in, people started to crowd his wake as if it were a mass event. I never thought that my father knew this many people. Although he was an ordinary man, everyone I talked with had always said that they knew my father through his words. They told me how his stories cautioned their children about the lady at baybay.

I would also chip in my father’s other tales that he had only shared with me. Since I was his junior, people were curious if I had experienced the same things. I told them about my fair share of nail-biting encounters. I realized, then, that I might never possess his bravery, but, no doubt, I was truly his successor—we were both tale-tellers.

It was a dismal morning of late June when the white hearse finally arrived. Before it even rained, people’s tears had already flooded our house. In the church, I heard the priest’s voice crack many times while trying to deliver his homily. He then called us, the family, to deliver a eulogy. My mother couldn’t speak between her heavy sobs, and my siblings were unable to find their strength. As my father’s namesake, I braved the podium with my somber eyes and recounted the life of my Papa Nonoy.

That’s when it dawned on me how ephemeral my days with my Papa were. Yet, if there was one thing that he taught me, it was that beautiful things are often short-lived, so I need to savor every moment they exist.

At the end of my speech, my heart is still aching for his presence, and I could not quite fathom how I’d live my waking days without him, and his silly little jokes, and his, of course, supernatural stories. I looked up at the stained glass depicting Christ’s crucifixion on the ceiling. In the light it beamed, I sobbed a sigh of relief.

My Papa was an unsung great rhapsode of our time, and I’ll be the epicist of his lore. I will continue his legacy of macabre tales as a security guard, a layco, and a father. I’ll live to revere him and continue our stories—heard and unheard, mundane and supernatural. I’ll blur his life with mine, and he’ll live forever in me.

I always imagined my father as a guardian of the living and the elementals. He was the real-life Edward Bloom, the protagonist of Big Fish. My Papa Nonoy was the manifestation of folklore meeting reality.

I stared at my father’s still face, for the last time, to etch what he had left, immortalizing him once more amid the black wicks and dissolved candle waxes scattered on his concrete boneyard. Truly, the dead man and his tales never died, and I was satisfied knowing that there was beauty in the weight of what remains.


Rogelio Jenson Jr., also known as Arshee, is a budding writer from General Santos City.

Mubalik rako

Nonfiction by | September 21, 2026

It was Sunday. Molave Street was bright with the noontime sun. The doors of the neighborhood homes were wide open, letting the wind sweep through the insides. The sound of laughter echoed with the beeps of cars passing by, and children fearlessly running beside the curve of the road, untouched by the weight of the world, unburdened by worries of an adult.

I could hear them from where I sat, separated only by the blurry plastic screen of the sari-sari store I was keeping watch over. Occasional murmurs slipped in but were never understood.

The silence on my side and the joy of the other felt uncomfortable. The noise felt so far away despite the short distance, like I was only meant to listen. Envy lingered in my mind for a moment before vanishing as the first customer of the day approached.

“Unsay ato angkol?” I gave a practiced, amiable smile.

It was Friday. She said we were going somewhere nice and that I had to wear my best clothes. I stared at the pile of clothes on the floor, looking like a mountain of rags, and settled on one. I guess a hand-me-down faded red dress with fewer patches could work as one. It smelled like old, wet paper, but I have never worn it. I never knew I was allowed to wear a dress.

“Inig abot nato didto dapat mag binuotan ka,” she said as she fixed my collar. It was folded inside.

“Opo,” I said like an automatic response, staring at her. There was a curve on her lips I had never seen. Or maybe never directed at me.

Maybe I shouldn’t have agreed easily. Maybe I should have asked questions. But she smiled at me after years of scowls and frowns, and disgusted scoffs.

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The Red Stone Pendant

Nonfiction by | September 21, 2026

I could feel the sticky jelly in between my fingers while I scraped the jelly cup clean, pretending I could taste the strawberry flavor in it.

I turned my gaze toward the roaring television that my Lolo was so engrossed in. He was on the edge of his seat as Manny Pacquiao threw a punch.

“Tua ra! Sige sumbaga! Humana!” He shouted and cheered, while his face was just inches away from the screen and no one could ever bother him.

Meanwhile, there was my Lola, sitting in her favorite chair while combing her short, wavy hair. She has a  fair complexion, narrow eyes, round face, red colored nails, and what caught my attention most, was her gleaming gold and silver jewelries.

“Ma, kanak da yaang singsing mo kay masigahay,” I pleaded with a sweet smile but she was not moved by it.

Instead, she pulled out her jewelry box and got a fancy looking silver necklace with a red stone pendant.

“Kani na imo, dayai kini ha hatag dako kanmo.”

It was the fanciest thing I had that time, so I had it with pride and charm. I wore it in school, making sure my classmates will notice it and I could have the reaction I want to hear. But, I was getting conscious every time someone noticed it. 

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Happy New Year

Nonfiction by | May 11, 2026

I looked at the cracked skin under my nails. A lifetime of nail-biting had caused a constant prickle on my fingertips. I’d grown used to it, like most pains.

I inhaled the cigarette I had just lit. I hated the smell of tar. It burned my nose the same way gasoline did whenever the family car was refueled. Synthetic, acrid. Addictive. At gas stations, I would lean my head out the car window to inhale the fumes in secret before Mom slapped me back inside for wasting the air-conditioning. I hadn’t seen her in five years.

The sun was barely rising as I reflected on the past few days. An anthropologist friend and I had traveled to the uplands to film a documentary on the Obu Manuvu and their New Year practices. It was a beautiful community gathering. Their cultural attire danced in waves of color. The embers glowed so hot I could taste the roasted native chicken in the air. The Datu chanted prayers of thanksgiving in the rites of Panubaran. Great care was taken to preserve and pass down these ancestral practices to future generations. As I watched the children play while their parents prayed along in thanksgiving, the Datu’s words echoed in my mind.

“Let us not throw away our family’s own culture. It will fight for us.”

Even before I ran away, New Year’s with my family was never as vibrant as the feast I had witnessed. But our simple celebration carried hearty meals, shared laughter with my siblings, and Mom’s prayers for each of us. We were not a family big on tradition, but every year after media noche, we would gather in the living room to watch movies. It was warm and delightful. It was home.

Since leaving, I spent New Year’s Eve alone. Once, I attended a party hosted by a friend on New Year’s for those he called “friends without families.” But I had a family. One that, like many things I’d gotten used to, occupied less mental space as the years passed. I knew my heart missed them. I had settled into a life alone by running away from past hurts, but I also ran from those I valued — a family I would fight for.

The sunrise had kissed my skin when I stomped out the cigarette. My last, I told myself. I had made a mental checklist of movies I wanted to watch with my family when my friend asked if I was ready to go home.

I was.


Edwin “Ed” David J. Priete is a filmmaker, educator, and media producer from Davao City whose stories focus on social impact, mental health awareness, and cultural identity. A BA Communication and Media Arts graduate of UP Mindanao, he explores themes of trauma and recovery in his works, which have been featured and screened locally and internationally.

Where the Bulad Dries

Nonfiction by | May 4, 2026

Kaluy-i kami.
Panalipdi kami.
Tabangi kami.

I silently rushed toward my grandmother’s casket, still wearing my yellow uniform and khaki pants from Labangal National High School. I asked my sister for a piece of paper, then knelt beside the casket, watching the manghadji recite the novena prayers. Today is the final night of my grandmother’s wake. Among all my cousins, I was the only one who knew how to respond to the prayers, and so I was assigned this role. The others were outside; they were washing plates, serving food the all-nighters, and brewing coffee for those who would stay until dawn.

Mommy Rosalina, my mother’s eldest sister, was visibly upset that I had arrived late. I didn’t get the chance to explain that I had been making arrangements for an event I could no longer attend because of Lola’s untimely death. Someone had to take my place at the Peer Facilitators’ seminar. But I said nothing. I refused to speak.

My mother sat beside me and whispered, “Asa man ka gikan, Loy? Dugay lagi kaayo ka.”

I didn’t answer her. Instead, I responded to the manghadji, “Sr. San Vicente, kaluy-i kami!”

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Kemohung

Nonfiction by | April 27, 2026

I never once questioned why fishes drown. The news of kemohung became so ordinary that it barely stirred a ripple in me. The word itself means “fish kill,” though, if you take it apart, it sounds like it should mean swimming. The logic never quite made sense, but we used it anyway. That’s the way with Philippine English: a word is bent out of shape but everyone understands it, so it somehow becomes right. Meaning, after all, is a shared agreement.

In Lake Sebu, fish deaths had become almost as predictable as the seasons. The Philippine News Agency even described it as a natural, periodic phenomenon. We never owned fish nets, and our home sat far from the lakes our town was known for. Farming was our source of living, so I couldn’t fully grasp the grief of those who depended on the water. If I’m being honest, I even carried a shameful gladness when kemohung came. I didn’t understand the weight of their loss; I only knew that Mamang would be happy, and so I followed her lead. To me, it meant she could cook her favorite uton bolok (rotten fish) again.

Rottenness somehow finds its way to the table as a delicacy. Our neighbor who has fish nets would knock on the door and give us some. The fish, once lifeless and floating, are cleaned and revived in a way. My brother, whom we trusted most in the kitchen, marinated them in vinegar, garlic, onions, and ginger to soften the sharp, lingering smell of death. Misfortune is now turned into something we can taste, something we can share. Our resources are limited, so nothing is wasted, not even loss. What’s better than free food anyway?

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Why Adobong Puti Is My Favorite Type of Adobo

Nonfiction by | February 23, 2026

Adobong puti is probably one of those dishes that is closest to my definition of “comfort food.” Cliché as it is, I always mimic the infamous Anton Ego spoon-drop whenever I eat this dish.

Preparing adobong puti is the easiest way to cook meat. You can screw up frying meat, but there is no way you can mess up adobong puti. All you have to do is put the meat in a pot or pan. It can be any meat, but I personally prefer liempo, or any pork cut with a good balance of meat and fat, together with the spices, vinegar, and salt.

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Offerings to No One in Particular

Nonfiction by | February 9, 2026

“A bunch of rubbish” was my initial thought when I saw it on my daily walk to school. It was in my periphery, an eyesore against the pristine pinkish-white walls as its background, nestled under the shade of a young but bent kalachuchi tree in its unassuming yet interestingly cluttered glory. You walk a few steps ahead and you’ll see the board exam passers of our university, perfectly lined up with minimal design, painting an obvious disparity. With my cheap phone, held together by wrist bands and wishes, I would take a series of photos of a makeshift altar of sorts by the roadside of our school campus between June and September 2025. I was always compelled to take photos, as it was ephemeral, ever-changing, and seemingly included everything.

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