Dead Man’s Tales of Icepop

Nonfiction by | October 12, 2026

The ladies launched murmurs in the puroks Felomina, Saeg, Bayanihan, and Estrella. The habal-habal drivers marked in their minds the horrifying stories about the secluded shore of Icepop, or what locals call Ispaf or Spap. I asked my mother about the coast’s toponymy, but she, and the people of Barangay Calumpang, thought its name came from the sea there, which was as cold as an ice pop.

Since I was a kid, rumor has it that hundreds of dile-ingon-nato inhabited the trees, hills, and waters of Icepop. The sighting of santelmo, tree-dwelling agta, and processions of engkantos—name it, these stories live there. I had heard of such eerie encounters, and they always came from my father, Papa Nonoy. He was once the security guard of a private seaside property near Icepop. He had many spine-chilling experiences there, and this one was one of his most memorable.

One night, as he was heading home, he met a lady near the baybay. He did wonder why she was there, but he just shrugged it off since many people were using that property as a shortcut. Judging by her uniform, he thought it was a cannery worker on her way home after a tiring night shift at nearby canning factory. Innately kind, he offered the lady a ride. The lady was dead silent as she aboarded his motor. He pried into the lady’s life, asking why she was waiting in the dark, and why she left her work early.

Although he felt the weight of the woman and the coldness of her touch, he heard no sound but only the calm sea rustling from the clashing sea glasses. It was starting to become high tide, so he revved his motor.

They traveled the length of the shore. Since there was no other way to reach the common road but to take the sandy coastline, they took the risk as the water level rose. They did make it before the sea devoured them, but when he looked at his back, no traces of a being remained. Thinking the woman had fallen off, he went back. But he only saw the roaring high waves, and that’s when my father realized it was time to go.

Faster than the spread of the winning 4-digit lotto numbers, his nail-biting story coaxed the puroks and nearby. This had been a pulutan in every kanto, and words spilling over between sips of soft drinks in every sari-sari store.

My father’s name became the latest buzzword. He was a lay cooperator in Holy Cross Parish-Calumpang, and that story became his sermon in one of his bible services. Every time he reported to the church, the priests there would ask him about the white lady and his other supernatural encounters. And every story would always end with how his unwavering faith in God saved him.

I was always there, listening and taking it all in. Sometimes, my short temper got the best of me. I’d roll my eyes at every stop he made just to repeat his usual litany, asking when it would finally end. Little did I know, the end would come sooner than I anticipated.

A cold wind blew through the window in early June of 2017, just one week after my birthday. I was watching the raindrops slowly dripping down the glass as if they were in a race, trying to forget, even for a while, the quiet anguish of losing someone.

Papa Nonoy died a week ago in a vehicular accident. At first, he was fine since it was a sideswipe accident; however, his diabetes worsened his case, and his wound got infected. Papa had encountered many near-death experiences before, fighting every battle he had. But this time, death made sure to wipe its feet before coming in. I was not at the hospital when he bade his last goodbye because the school days had already started. I just woke up one morning, and my Ate’s husband told me Papa had already passed away.

That day, I felt the gravity gripping my back as a salt stream ran through my eyes. I was drowning as I washed the rice, still doing my household chore, believing he might come home hungry. I questioned everything. I even questioned my faith—the one that my father had left for me.

After several tormenting and nauseating visits to the funeral homes, the coffin of Papa Nonoy arrived. My family, religious yet superstitious, did not let the coffin enter where it would exit, or else my father’s spirit would be trapped in our house. So, they wrecked the wall of my room and removed my curtain-draped doorway to let him in. I chuckled at the thought of my father haunting us. That very man who had toughened himself all his life would scare the thing he had sworn to protect.

Just as we settled him in, people started to crowd his wake as if it were a mass event. I never thought that my father knew this many people. Although he was an ordinary man, everyone I talked with had always said that they knew my father through his words. They told me how his stories cautioned their children about the lady at baybay.

I would also chip in my father’s other tales that he had only shared with me. Since I was his junior, people were curious if I had experienced the same things. I told them about my fair share of nail-biting encounters. I realized, then, that I might never possess his bravery, but, no doubt, I was truly his successor—we were both tale-tellers.

It was a dismal morning of late June when the white hearse finally arrived. Before it even rained, people’s tears had already flooded our house. In the church, I heard the priest’s voice crack many times while trying to deliver his homily. He then called us, the family, to deliver a eulogy. My mother couldn’t speak between her heavy sobs, and my siblings were unable to find their strength. As my father’s namesake, I braved the podium with my somber eyes and recounted the life of my Papa Nonoy.

That’s when it dawned on me how ephemeral my days with my Papa were. Yet, if there was one thing that he taught me, it was that beautiful things are often short-lived, so I need to savor every moment they exist.

At the end of my speech, my heart is still aching for his presence, and I could not quite fathom how I’d live my waking days without him, and his silly little jokes, and his, of course, supernatural stories. I looked up at the stained glass depicting Christ’s crucifixion on the ceiling. In the light it beamed, I sobbed a sigh of relief.

My Papa was an unsung great rhapsode of our time, and I’ll be the epicist of his lore. I will continue his legacy of macabre tales as a security guard, a layco, and a father. I’ll live to revere him and continue our stories—heard and unheard, mundane and supernatural. I’ll blur his life with mine, and he’ll live forever in me.

I always imagined my father as a guardian of the living and the elementals. He was the real-life Edward Bloom, the protagonist of Big Fish. My Papa Nonoy was the manifestation of folklore meeting reality.

I stared at my father’s still face, for the last time, to etch what he had left, immortalizing him once more amid the black wicks and dissolved candle waxes scattered on his concrete boneyard. Truly, the dead man and his tales never died, and I was satisfied knowing that there was beauty in the weight of what remains.


Rogelio Jenson Jr., also known as Arshee, is a budding writer from General Santos City.

gyotaku

Poetry by | October 12, 2026

Sa damlag, mobangon na sab kong
gihangop sa imong pahumot.
Manamilit na ang atong panit—
nangpilit, nanglambod
niining mahuyang nga higdaanan.
Hinaot pasayloon mo ang kalibotan
sa iyang apuradong dagan.
Dili tanang butang mahisama
sa lab-as nga banak nga gipalit nato
miaging semana. Sumala pa sa imong nabasahan,
saphigan og tinta sa mga mananagat
ang kinadakuang isda nga gipamasol.
Ipatik sa katsa. Ipanghambog
ang nabingwit, kay ang handurawan
sa umaabot mopanas, waswason
sa mga sulog sa atong pagkalimtanon.
Maihap ra usab sa akong tudlo
ang mga gutlong motapot ning gugma.
Mapasalamaton kong gisaw-an ta
kining yam-is nga kabuntagon.
Sa dili pa ta lamoyon
sa hinaganas sa matag-adlaw,
ipatik ko ang imong paghinanok
sa akong panumduman.
Itugyan ko ang kahidlaw
sa akong panit sa imong katsa.
Bukotan ko ang kahuyang
sa imong lawas og habol
habi sa mga buot kong iingon.
Ug dili na kita tun-ogan sa kamingaw
samtang gaandam kong molakaw.


Si Clint Jovial Delima usa ka fourth-year BA English (Creative Writing) student nga nagtungha sa University of the Philippines Mindanao. Nahimo siyang fellow sa 2025 Davao Writers Workshop, 2025 Cagayan de Oro Young Writers Studio (CDOYWS), ug 2026 Bathalad Sugbo. 

Ginikanan

Poetry by | September 28, 2026

Inig kadlawon, pahiyom na mugawas
aron mudalig bugha sa kahoy.
Akong amahan, nga mudalikyat ug baktas
katunga sa kilometro
aron mukuha ug tubig nga gikan sa gripo.

Akong inahan, nga walay pagdugay,
muatiman sa kusina
paghugas sa karahay, plato, kutsara
ug uban pa.

Milakaw mi sa dalan,
nga wa’y kakapoy sa dughan,
gunitay sa kamot
nga dili gyud kabuy-an.

Sa kaudtohon, mudayon
ug bitbit sa sud-an ug kan-on.
Akong mama, nga pirme maghulat
likod sa kantina,
miskan kapito ug edaran na,
magpahungit pa ug kutsara.

Sa matag adlaw nga among gilabay,
wala nako namatikdi ang mga kausaban
Apan, midali na ang adlaw ug panahon,
kay edaran na, akong ginikanan.


Princess May V. Igcas is a Bachelor of Elementary Education student at the University of Southeastern Philippines. She enjoys reading, writing, and expressing her thoughts through poetry.

Ang Wa Nato Dal-a

Poetry by | September 28, 2026

Hinay-hinay kitang kutkoton sa panahon,
Samtang kaugalingong lubnganan atong andamon.
Didto nato ibilin ang kagahapon,
Uban sa mga ngalan nga gilamoy sa panahon.

May mga damgong dili na nato pukawon,
Aron bag-ong tinguha maoy atong sugaton.
Ang uban sa handumanan gitipigan,
Ang uban, walay panamilit nga gibiyaan.

Kagahapon, sayon pa kitang motuo,
Karon, kaugalingon na nato’y malimbongan.
Sa samin, susamang nawong gihapon,
Apan kinsang dagaway ang nagtutok gikan sa pikas?

Pila na ka “kita” ang nahulog sa bung-aw,
Pila ka kalipay ang nahimong abo ug abog?
Mga handum nga kaniadto hugot natong gigakos,
Karon, mga gabon na dili na makuptan.

Si Pablo miingon sa karaang panahon,
“Matag adlaw, ako mamatay,” iyang gipamulong.
Tingali dili tanang kamatayon mangita og yuta,
Ug dili tanang nawala angay natong bangotan.

Kay matag adlaw adunay atong biyaan—
Usa ka tinguha, usa ka handum, usa ka ngalan.
Usa ka “ako” nga kaniadto atong nailhan,
Karon, aninaw na lang sa dalang atong giagian.

Ug sa matag kadlawon nga mosidlak,
Adunay bag-ong “kita” nga momata sa kahayag.
Apan sa dili pa ta mopadayon sa panaw,
Kinsa kaha ang wa nato gidala sa banag-banag?


Nikka D. Antoque is an English teacher and journalism enthusiast from General Santos City. Inspired by everyday realizations, she writes poetry that finds meaning in ordinary moments, experiences, and reflections on life.

Kaperosa (Flash Fiction)

Fiction by | September 28, 2026

Coconut trees towered over the grassy path, their gangly trunks bearing hairy-looking palm fronds that stretched out darkly and starkly against the pale, white clouds. Clouds gathered near the ground, wisps weaving through trunks, blades of grass, and ant mounds, caressing the nape of Francisco’s neck, exposed by his short hair.

The soft sole of his shoes stepped on something mulchy. Muddied strands of hair stuck to the edge. Dark as a crow’s plumage, as shiny, and seemed freshly cut.

A nasty potion of stale rainwater, fresh fish blood, and rotting leftover food assaulted his nose. A foot ahead of him was a muddy ditch blocking his way, entangled dark locks lining the edges and floating on brackish water. Crows cawing from afar, crows landing and pecking at a trail of hair strands that led somewhere.

Francisco followed the hair-strewn path, which went beyond the puerta of the house he knew so well.

“Tao po, is anybody there? Nay? Tay?” But no one answered.

He wanted to turn back, but his legs somehow carried him up the escalera. The higher he went, the stranger the sounds he heard. Murmuring, heaving, hissing, and moaning that heightened into wails and hysterical cries before the sounds repeated themselves, like a rosaryo.

Beyond the antesala was a lady in a white sleeping gown whose face was covered by the long, dark hair that led Francisco there. She kept cutting her hair with a knife, only to cut herself over and over at the wrists.

A rotting face stared back at him, a face beyond reality, a face of his past mirrored to him – like an answer to a question he feared to ask. “Who are you?”

In a low, pleading voice, it said, “Kita.”


Alyna Jalaine A. Rubin resides in Davao City. She is currently a graduate student in the Master of Arts in Literature at the University of Southeastern Philippines. She also completed her undergraduate studies at the same university with a degree in Bachelor of Arts in Literature and Cultural Studies.

Hilom na Orbito

Poetry by | September 28, 2026

Walay makapilit sa hangin
Padulong ka nako
Mobalibad sa imong ngalan,
Busa giluagan ko
Ang pagkupot sa tinguha

Sama sa kilomkilom kini
Ngadto sa hilom nga mga kamot.
Ipahulog kini, magpalayo ko
Sama sa pagpalayo sa mga bituon didtoa,
Nagdilaab nga way pag-abot

Hayag, apan dili gayod makuptan
Higugmaon ko ikaw
Gikan sa pinulongan sa mga anino,
Sa wala mapadala nga mga suwat
Tua gimemorya sa gabii,

Sa mga pagtan-aw nga mawala
Dili pa kini matawo
Ang akong mga mata
Makakat-on sa imong porma sa hilom,
Nagsubay sa mga bitoon sa taas

Dili nako maangkon ka,
Apan ngano imo tutok
Andam ka angkonon ko nimo
Diin diay ang sayop?
Ako nga galingi o ikaw na nitutok

Ngano karon pa gaabot?
Ako mahuman na
Ikaw mao pay pagsugod
Angay ba na pasagdan ang gibati
O atubangon ni aron mawala kini

Apan istorya sa uban dili
Mao nagpabilin ako
Usa ka hilom na orbito
Naglibot sa kalibutan
Dili gayod ka ma akoa


Si Althea Janine Macapundag ay nagtapos ng BA Panitikan sa MSU-IIT. Aktibo ang kaniyang interes sa malikhaing pagsulat, drama, at pagsusuring panlipunang pagkakakilanlan mula sa mga liminal na espasyo sa loob ng sining at pelikula.

Sayang Tayo

Poetry by | September 28, 2026

Sa panahong delikado,
Nagkakilala tayo.
Ngunit ito’y dehado
Dahil hindi naging tayo.

Sa isang paaralan,
Nagtagpo ang ating landas.
Isang programa ang dahilan
Kung bakit ako’y umibig nang walang kupas.

Ikaw ang masayang pumalit
Sa mundo kong puno ng pasakit,
Ikaw ang gumuhit
Sa mundo kong puno ng pait.

Ikaw ang nagbigay ng kulay
Sa aking buhay.
Ikaw ang umukit
Sa ‘ting kinabukasan nang nakapikit.

At ako naman ay sumasayaw
Upang masabi ang aking nararamdaman
At pilitin ang mga labi na bitawan
Na sana maging tayo balang araw.

Ngunit sa paaralang ito,
Natapos ang ating kuwento
Napilit kong nilalaban at binuo
Kahit na sagad na sagad na ako.

Sayang tayo,
Dahil naging multo ka sa kuwento.
Sayang tayo,
Dahil ako ang unang sumuko.
Sayang tayo,
Dahil napagod akong umasa.
Sayang tayo,
Dahil ang mga pangako mo ay napako.

Kaya sayang tayo.


Norvelyn L. Cagang is from New Corella, Davao del Norte. Currently a second-year student, she loves dancing and reading, and is now exploring the world of writing. This is her new hobby and her way of expressing her feelings in different aspects of her life. She hopes to make more poems from this day forward.

kung pwede pa lang

Poetry by | September 28, 2026

kung pwede pa lang
mu balik sa adlaw
nga ikaw ug ako
amigo ra

bisag ang pinaka lapokon nga kabaw akoang sakyan;
wala man sad koy laing kapilian.
bisag ang tricycle nga nagkagang-kagang akoang parahon;
basta makadagan pa, ayaw na’g pangutan-a.
bisag ang hilis nga tsinelas akoang sul-obon;
basta dili pa mahimulag ang lapalapa, pwede pa.

wala na ko’y labot kung
unsang pamaagi
mubalik lang sa adlaw
nga ikaw ug ako
amigo ra.


Shana Mira Juab is a graduate of BSED English from the University of Southeastern Philippines. She currently resides in Maragusan with her cats.