Eh di Howl! (after Ginsberg)

Poetry by | January 1, 2017

I.
I saw the best minds of my generation destroyed by Internet memes, historical revisionist Youtube clips, dragging themselves through the darkest, amnesiac streets of remembering, Marcos apologist hipsters and bloggers burning to ashes the miserable memories of Martial Law,

who bared their image-driven brains to froth for the good-looking grandson who was London-educated but undeniably unknowledgeable about undervoting,

who Facebook-floated across virtual Wi-Fi waters and stayed on top Twitter trends, contemplating the alleged cheating in the vice-presidential race in order to pave and force the way of the unapologetic son to Malacañang,

who unwittingly sent their souls to Hell for promoting the banality of evil and saw Mephistophelian angels promising the hero’s burial and ascension of the wax-and-plastic-and-formaldehyde-long-rotten patriarch, but didn’t see the irony,

who passed through illumined universities yet spent more time in status-symbol coffee shops, discussing fashion styles and sheers, crop tops and jogger pants, ending up inadequately informed or misinformed or uninformed about the naked and obscene terrors of the autocratic rule and the detritus thereof,
Continue reading Eh di Howl! (after Ginsberg)

Masahe sa City Plaza

Fiction by | January 1, 2017

“Maygale naabtan pa ko nimo diri, Mam,” matod sa akong suki nga masahista. Iyahang bus-ok nga mga bukton mihulma sa iyang nipis nga puting sando. Milingkod ko sa gamayng plastik na lingkoranan ug gibutang ko sa kilid ang akong napalit nga karne ug utan, apil ang akong naukay nga mga blaws. “Ulahi najud tika na kustomer mam. Sayo man gud mi ugma sa Marawi.” Gipatong nako ang akong mga tiil sa iyang paa.

“Mag unsa mo didto dong?”

“Didto mi mobotar mam,” matod niya dungan sa pagbubo sa uwil sa iyang mga kamot.

“Ha? Didto diay ka narehistro?” Iyahang gisugdag masahe ang akong mga bagtak nga mihawoy sa pagtindog og dugay sa ukayan.

“O, pero sila ra ang garehistro sa amo mam. Igo ra ming nagpirma sa form na ilang gihatag, tapos sila ray nagpadala dadto sa Marawi.”
Nahimatikdan ko ang iyang nawong nga nabaknot, ang singot gatulo naingog duga sa iyang mala-Adonis nga nawong.
Continue reading Masahe sa City Plaza

Panahon ang Lumay

Poetry by | December 25, 2016

Usahay ugtas
ang atoang kaagi
sa kahiubos

mga pasangil
sa pakyas nga pasaad
lugda mipisil

sa kadugay sa
oras, gaduhaduha
kun mupadayon

ang gugma nato
ma wahig ug pagbati
mawad-ag awog

apan kani ra
akoang maingon sa
imo pangga, ko

Kung igarapon
ang tui-g nga miagi
sama sa lana

mahimo kining
ang pinakakusgan sa
tanang gayuma.


Glorypearl Dy is a filmmaker based in Davao City. She was a fellow at the 2011 Davao Writers Workshop.

Where He Left

Poetry by | December 25, 2016

The room smelled like the pomade
Grandpa put on his hair
the moment
he got out of the shower.
The vines he used to trim
in the mornings
had crawled
to the grills on the windows
from the rusty gate
where he stood by
as he watched
me and my cousins
play hide-and-seek
along Almond Drive
on Sunday afternoons.
Mama was cleaning out
his medicine box
when I realized
all the containers
had not been emptied out.
Uncle carried
the plump luggage
to the top of the closet
filled with naked hangers.
Grandma could not seem to fold
the blanket on his bed
the way he used to do it-
corner to corner, edge to edge.
Tony Orlando started squeaking
when the CD player played
“Tie A Yellow Ribbon,”
but Grandma listened
and danced with the air
in the same way
she danced with Grandpa
at the wedding reception
of their golden anniversary.
I hold this scarf
that he wrapped himself in
as he sat on his wheelchair
one windy afternoon
when we drove him
to the beach.
Nobody dared to sit
on the rocking chair
in the balcony
where he used to nap
during sunny days
that reminded him, he said,
of the Panglao beaches
where he used to play
when he was young.
But now he’s rested
somewhere peaceful,
where I could no longer
massage his feet
as he rocked himself to sleep.


Marie Crestie Joie Contrata is a Creative Writing student from the University of the Philippines Mindanao.

On Meranaw, Mindanawon Writing

Nonfiction by | December 25, 2016

Bismillah. Assalaamu ‘alaykum.

My name is Diandra-Ditma Macarambon. I am a Mindanawon. I write. Or, at least, I try to. And, that makes me a Mindanawon writer. But, really, what is the Mindanawon writer? Or who is the Mindanawon writer?

I was raised in the Islamic City of Marawi; I spent most of my adult years there as well. Marawi is a place distinct from any other place. It’s very different from its nearest neighbor, Iligan City. I remember my father saying that, from any other city in the Philippines, when one reaches Marawi, it is as though one has reached a different country or even a different planet, he joked. Now that I’m older and “wiser”, I know that he was right. Marawi is a special place and it has definitely shaped me into the person that I am today.

Marawi, obviously, is part of Muslim Mindanao (or the part of Mindanao whose population is generally Muslim) and this fact has really influenced me in so many ways. Of course, we all know that one embodies the culture in which s/he is raised. I am no different. I am not just a Mindanawon, I am not just a Muslim Filipino, I am a Meranaw. And, my being a Meranaw differentiates me from others. Not in a special or superior way, no, but in terms of traditions and practices. I belong to a family that sticks to and honors the traditional ways of the Meranaw. In everything that I do, I am this way. And, of course, even in writing, I am a Meranaw.

Now, being a Meranaw writer and accepting that I, we, as Meranaws, are different from others, does that mean that I write differently, too? Are my works limited to the Meranaw experience? But, then, a question comes to mind, is the Meranaw experience really that unique? Say, compared to the Mindanawon experience as a whole?
Continue reading On Meranaw, Mindanawon Writing

Didto sa Route 8

Poetry by | December 11, 2016

Ang bus
parahon, palabyon
sakaan, kanaugan
lingkuran, tindogan
piyongan, kamathan
sukaan, pangugmohan
tabian, hiloman
motulin, moliko
makaligis, mabanggaan
molarga, moabot
sa terminal , sa terminal.


Jann Dainver “Deejay” Maravilla is an AB-English graduate of MSU-IIT. He is now a visiting lecturer at Jose Rizal Memorial State University-Main Campus, Dapitan City. He has recently been selected as a fellow to the 2016 Davao Writers Wokshop.

Downpour

Poetry by | December 11, 2016

Sway the leaves while you breathe
And your mind rests after long days
Keeping watch from your marbled walls
Are memories, stolen as polaroids
You wait for the night storm to pass
But realize the magic in the air

Like a wave, rain crashes
As angels’ wings beat for drumline
A musical surge on your roof
Transmitted straight towards your apex beat
And as you lay there, wondering
Will this beautiful downpour ever end?

Yes, if you wanted to
But tears of heaven have calmed you
Never was any soothing sound
That your own ears enjoyed and learned to love
Your own pleasure of symphony
While you drown yourself in rain’s
Orchestrated confessions


Monique graduated from UP Mindanao.

Should the Stars Return

Fiction by | December 11, 2016

It was the night that the stars returned and the first person to see them was Oskar Abebi. From his vantage point on the pavement, lying with his back flat on the street called Yoruba, he recognized the constellation. “The Hunter…” he whispered to no one in particular. The name escaped his bloodied lips as by compulsion. The giveaway was the line of three stars that made up the Hunter’s belt. From there he could trace the stars that hinted at the legs, then the outstretched arm and the club.

It was a Friday night and the traffic of shoppers and passers-by on Temple Market was starting to pick up. Oskar desperately wished one of them would stop by to help him up so he could share his discovery. But they all avoided him and each other studiously. They walked around him as they zipped past in all directions. One or two even stepped over his legs when they found no other path through.

Oskar wobbled to his feet. All the while his gaze remained up, his jaw slack as more pinpoints of light appeared in the sky. Over there: the Hero. And over there: the Twins. And over there: the Bear. And over there: the Lover. Despite himself, despite his cracked skull, Oskar laughed.

“Do you see? Do you see?” He pointed a crooked finger up at the sky. When no one paid him any heed, he broke taboo and grabbed the nearest passer-by the sleeve of her pleather coat. She yelped, then hissed and glared at him. “Look!” he insisted, jabbing his finger upwards. “Stars!”

The last time he had seen stars he was a boy. How long ago was that? Forty years? Fifty? It was on Ye-Ye’s farm, where they had electric lights only three hours each night and so there was nothing to do but look up at the sky and tell stories. Then came the city, and the stars were drowned in neon, glass, and steel, stabbing at the heavens as if to keep them at bay.

“Stars!” he repeated to the woman. His insistence finally made her look up. A few others, puzzled by the commotion, paused in their steps and did the same.

The stars were growing brighter by the minute. They pierced through the haze of artificial light of the city. More and more constellations became apparent. Oskar laughed giddily. “The Bull!” “The Lion!” “The Maiden!” “Look! Don’t you see?” “There! The Sisters!”

Those who paused followed his finger as he pointed, trying to make out the shapes. Then one of them, a young man wearing a rebreather cowl, broke the spell when he shrugged and walked on, disappeared into the crowd flowing into Yoruba East. The others followed suit, one by one at first, then in staggered groups, until the bustle was as it was before.

The woman wrenched her arm free and called Oskar a rude name as she walked hurriedly away.

“Stars…” the old man said again, but weakly. They were very bright now, so bright, you could almost feel their heat. The soup of humanity that gathered around Temple Market on Friday evening continued to thicken, and now people were jostling each other at the elbows and occasionally stepping on each other’s toes.

“Stars…” the old man said, one last time. Then he too was swallowed by the market.


Dom is a project manager of a small software development team in Davao.