The Reaper in the Blood

Poetry by | October 20, 2025

My mother used to tell me, as a child
how selfless my grandmother was—
that she would give her children food
she was about to put in her mouth
just so they wouldn’t starve.
She never counted what she had given,
believing God saw every good deed
and blessed those who gave without asking in return.

I was two when the first coffin entered our home,
glad I didn’t witness her suffering.
Mama Rosie, the first body claimed,
traveling her veins slowly,
wrecking every part of her
until her entire body could no longer fight.

She was the youngest among seven.
Yet it never halted her
from taking on roles too big for her age.
She fetched and sent us to school,
checked our knees for bruises,
lulled us to sleep until our cries softened.

I was fifteen when I watched over her in the ICU,
unresisting the tube pressed to her mouth,
Every breath is a painful attempt to stay alive.
Ate Lablab, the second life taken,
as it knew no age, it ran in the blood,
remembers every cell,
waiting for the right time to strike.

I feared him growing up.
His voice commanded attention,
as if punishing those who disobeyed.
He was their eldest, a seaman
who never continued sailing.
But beneath that stern demeanor
hid a kindness few could name.
He let me devour everything in his fridge,
until my stomach could hold no more.

I was sixteen when he was rushed to the hospital,
his left foot rotten, bacteria spreading like wildfire.
I watched over him day after day,
old enough not to throw up
while eating inside a ward of bodies
busy with their own survival.
Kuya Archie, the third to fall
to the poison hidden in sweetness
unhurriedly ravaging every organ
that came its way.

She had a twin sister—
the second and third among seven.
Maybe that’s why my mother
gave birth to twins, too—
our blood remembering what it once held.
She made sure we learned our lessons—
a hit from a belt or hanger
each time we misbehaved.
It may sound cruel,
but it was her way of caring.

I was twenty when her body,
once tireless in feeding others,
could no longer serve even herself.
Ate Nene, the fourth soul captured,
as it patiently waited,
revealing itself only to disrupt
the body’s function.

I had grown used to the alcohol scent,
the chaos, the maze of white corridors.
It comforted me thinking
that the final resting place wasn’t lonely—
it’s noisy, somehow alive.
I grew up unafraid of coffins.
I thought it was normal,
how one by one, our family
disappeared into silence.
I began to wonder—
who would it call next?


Mark Lhoyd D. Tampad, born and raised in Davao City, is still learning the craft of poetry and hopes to grow into a better poet. He is currently studying BA English major in Creative Writing at UP Mindanao.

Hacks for Hunting and Selling Spiders

Poetry by | October 20, 2025

When I used to collect spiders, I learned a few
hacks how to hunt and prepare them for selling:

When the night strikes, look for the one
your gut tells you is the suitable

for fighting. While that eight-legged insect
spreads her appendages, waiting for food

to press weight in her strings, toss a house
spider into her web, and wait until she defends

her territory. When you sense that they are busy
with their conflict that is the right moment to grab

them both, and put them in a cage. Open it
the next day, and check if she is sucking dry

the bait. Find a stick where she can crawl to expose
her color, size, and tentacles. Examine her,

see if there are missing parts of her
body. If that product is in good condition,

starve her, and inject drugs in her system
to make her hungry for war. By the time

she moves slowly, as if every step
is calculated, and ready to bite

whatever is before her, you can start to think
of a fitting prize that you can place on her head.

Once that, too, is settled, you can pimp her
to a buyer who will make money out of her rage—

That is how easy it is to profit from
snatching someone from their own home.


Laurehl Onyx B. Cabiles is a writer from Cotabato, Province. He has been a fellow of the Sox Writer’s Workshop (2023), NAGMAC-YWS (2024), and Ateneo de Davao Summer Writers Workshop (2024), and Davao Writers Workshop (2025).

идиот!

Poetry by | October 20, 2025

Usa ka ekprastik nga balak alang sa pintal nga abstrak ni Conflict Crafter nga ginganlan og “If You Say So.”

ang
kinalawman
nga langit sa langit
matung-as kaha sa mga kumagko
ni—Moses sa mga pag-ampo pinaagi
kang Maria nga ulay tingali? kanunay
o dili—
sa mga halad ko kang Manama ania
ang tari ni tatay
dili ra mahayon—para asa sab
ning krus sa akong agtang?
sa akong adlawng natawhan way miingon
ikaw ang balay nga among panalipdan
gipintalan sa samang dugo
ang mga ligid sa bag-ong awto ni uyoan—
Manama, imo sab ba ilayo ang mga pasahero
sa disgrasya? kun ang gitakdang
manluluwas mao ang gabitay sa samin
miingon siya

pagpasaylo aron mahunaran ka
diay ba? sala kining gikumkom ko
nga kasakit—sukad
sukad—diay? makalipong ning hustiya
nga imong gipa-om-om nako
—Ginoo, mupundo ra sab ba ka?
sa akong nagkutoy nga tiyan—wala man kiniy sustansya
kay lagi ikalibang ra—ang pagtoo kun ang kahakog
nay mupatigbabaw ania ang bulawanong korona
hinimo sa angkan ni adan alang nimo—hari—
ginikanan—imong balay maoy among simbahan
sumbanan—tabangan tika og salibay sa mga la mesa
miingon siya

nein! nein! —diha ka?
nada! oy, nada! asa mag-gikan ang kamatuoran?
ang esenya sa mga sistema sa kahulogan kinsay magboot?
si Fyodor? Si Santiago?—идиот! Ginganlan
gani ko nilag Magellan. Ako sab daw si MacArthur
—ug ang mga gabuhakhak nga mga di-ingon-nato sa sapa sa Mandug—ako sab
ang mga nagpanon nga armadong katilingban sa pagpa-ak
sa kangitngit ngadto sa katahom—mutago, mubutho
aron gukdon sa balaod ni Apo—
ingon-nako ingon-nato
—daw ako engkanto binistidahan og puti ingon ang bapor
tao ra sab ni sila gigiyahan sa ilang gituuhang
hustisya kay kun imong subayon akong lugar nga
natawhan ania si Zobel-Ayala sa pikas kanto si Bonifacio—
si Urduja nag-inusara sa Obrero—et toi?
pa-hero hero. way hingpit—
ang panahon dili na mubalik
igo ra hubaron—hubaran
gamhanan ang nanag-iya sa kahulogan
nga gisalom sa kinatas-ang impyerno sa
pagkatao pinaagi sa dulom nga gabii
sa akong lawasnong kalag
ayaw kalimot og haw-as
miingon siya

sul-uba—ang amakan nga among payag ug
ingna ko kun di ka mangatol kay akong—
sugnuran ug kun dili ka ako nay
mutangtang sa bulawanong taplak
ani imong alampat—
iyang korona—iyang templo
ang oro nga bukid sa luyo
—saksihi sa akong pag-langkat nga wala
ang ngalan sa magmumugna
sa wala!


Si Reah Izza Paglinawan usa ka magtutudlo sa University of Southeastern Philippines sa dakbayan sa Davao ug estudyante sa literatura sa Silliman University sa Dumaguete. Mabasa ang duha sa iyang mga minugnang sugilanon sa Katitikan: Literary Journal of the Philippine South ug diri sa Dagmay.

Little Poet

Poetry by | October 20, 2025

My childhood verses
bloomed with far more beauty than now

Was it the world, back then
marvelous in every eye?

Or was it I?


Florian Besana is a budding poet from Davao City. She writes under the pen name Kalachuchi. She hopes that her poems, rooted in resilience and healing, contribute to honoring and bringing to light raw works of poetry in the Mindanao literary community.

Kapag Nangungulila Ako Sa’yo

Poetry by | October 13, 2025

Kapag nangungulila ako sa’yo
Kinakalkal kita sa loob
Ng aking sling bag
Sa pinakailalim at sa mga gilid-gilid
Sa dalawang mini pocket sa harap
Mapapanatag lamang ako
Kapag nakapa ko na ang bote
Ng pabango.

Kapag nangungulila ako sa’yo
Kinakapa kita sa aking bulsa
Sa kaliwang bulsa, sa kanang bulsa
Sa likod at magsisimulang mamawis
Ang aking noo kapag di ko matagpuan
Ang itim kong pitaka.

Kapag nangungulila ako sa’yo
Hinuhugot kita sa loob ng aking cabinet
Minsan natatabunan ka ng mga damit
O di kaya’y gumigilid at bumabaon ka
Sa pagitan ng mga tela
At laging parang nabunutan ako ng tinik
Kapag natagpuan ko
Ang naka-frame na mga talulot.

Kinakapa kita sa mga sulok-sulok
Buong loob kitang hinahagilap
Kahit madalas, nakadaliri lamang kita
Di gaanong maluwag
Di gaanong masikip—tama lang
Walang binibigat at di nakasasakit

Kapag nangungulila ako sa’yo
At di kita matagpuan
Sa mga bagay na kaya kong kapain
Pinipikit ko ang aking mga mata
Dinadama ko ang pintig
Ng buo kong sistema.


Jevin Astillero is a writer from Bonifacio Misamis Occidental. He graduated in MSU – Iligan Institute of Technology and has been a writing fellow of NAGMAC-YWS, Dapit-Suwat sa Lamdag, tranSCRIPT 2:National Playwriting and Dramaturgy Workshop, Anunaw, INWW, IYAS, and SUNWW.

In the Rush of Things

Poetry by | October 13, 2025

I dwindle like a disturbed memory,
My disintegration, a grain of sand that shifts through the crevices of a hand in vain.

These hands that test the waters
And recoil as the shallow waters murk the face

Of an image who clung to conviction as if time had chiseled its sensibility into a mortal fiber—
Into ripples of waves pulsating farther.

Not a single word was tossed in waves that have not reached the shore,
As they become one with the depth—

Blue, deep, lost, sinking.
Not a word was spoken.

In the rush of things—
There’s only the dipping,

And to rise in wholeness,
Extending a familiar hand again.


Cedrick John Ventula finds meaning in words and motions as a BA Communication and Media Arts student from the University of the Philippines Mindanao. His roots trace back to a tranquil village in Hagonoy, Davao del Sur.

I Don’t Remember the Sound of My Grandma’s Laugh Anymore

Poetry by | October 13, 2025

I don’t remember the sound of her laugh,
nor how her eyes lit up, then disappeared,
nor the space where her smiles once lived.
What I remember is how I bawled,
hiding in the room we once shared,
embarrassed of loving.
While she continued
to Sleep,
unimpressed.
What I remember is the day we sent her away.
The church bell tolled
an echo I had never heard before.
Rumors whispered down the aisle.
I told her an inside joke.
Still,
she did not awaken.
What do you mean I will never hear your laugh again?
I searched for her
in photographs,
but they stood still
unmoving.
breathless.
unloving.
Gone
the sharp intake of breath
between laughter.
Gone
the knowing glances
after a joke.
Now, the jokes
in my head
remain undelivered.
But they, too,
are fading.


Josephine May Grace A. Famoso is a literature instructor at the University of Southeastern Philippines, Mindanao. May will always be the dreamer, writer, and poet, among other roles she portrays in real life.

Acasia Tree

Poetry by | October 13, 2025

In the back of Sir Mojamel’s classroom
I was ten fingers and four
if I count it right
there was a tree,
if it existed at all, I may be wrong but
one thing I hold is this:

why the big acacia tree
doesn’t bloom the same way
scorpions molt
underneath its bark anymore?
I asked my brother and he said
breathing a memory:

“Mana daman kayu lu”

the flowers once white,
sifted tufts opening against the heat.

why is nostalgia
the easiest to come back to
and the hardest thing
to forget?

maybe the only thing left of this
is my inching away to the body—
my body, the grammar lessons.

Sir Mojamel’s distant classroom,
where the hurt lingers best,
like a scab of wound coercing into an itch
you could never scratch enough.

but I could be wrong.


Aleah Sulaiman Bantas, 20, is a Maguindanaon writer and is currently pursuing Bachelor of Secondary Education Major in Social Studies at the University of Southern Mindanao. A creative nonfiction fellow at the 2025 SOX Writers Workshop, her work has also appeared in the Bangsamoro Literary Review. She writes about love, queerness, memory, and the shared struggles of the masses, drawing from both her cultural roots and contemporary realities.