The Stars

Poetry by | November 13, 2023

Oh what’s that in the darkest of the night that’s
Very small light, how can
I see it when tonight is
As dark as tar,
Oh that my friends, is called a star


Tala Narciso is a 9-year-old homeschooler from ArtHome Homeschooling Community, Sto. Tomas, Davao del Norte. She loves to write short prose and poems.

Cora Nga Taga-Camiguin

Poetry by | November 6, 2023

Gatindog siya, iyang kamot nakapatong sa rehas
Sa lantsa nga gadala sa iyaha tabok sa iladong suba.
Iya’ng aping nitambok na gikan sa tunga’ng kinabuhi
Nagpuyo na bugnaw’ng nasod, nag punit og sinina gikan sa salog
Sa mga puti nga dili galimpyo sa ilang kaugaling’ong balay.

Iyaha maning gipili. Gikuha niya ang oportunidad
Sa kumo puno og chokoleyt, tanan gipadala
Pauli para sa mga tao nga nangala sa baho sa
Balikbayan box. Inani siguro ang simhot sa abroad, ingon sila.
Pabalik siya sa mga lingin nga nawong sa iyang mga igsoon

Nga daghan. Ang mga babae, gipangalan liwat
Sa diyosa: Venus, Divine, ug siya, Corazon.
Ang mga lalaki gitagaan og ngalan’g Merkano gikan
Sa iyang papa nga maestro: Aaron, Harold, Henry.
Ilang mga anak gipaskwela na niya pipila ka tuig,
Di maihap sa iyang duha ka kamot.

Ang uban gahulat pod, nakadupa ang kamot.
Una, para mag amen ug mag sugat,
Pero gahulat diay sa ipagawas nga kwarta
Lab-as pa gikan sa ATM, ug iya’ng bag nga puno
Og sinsilyo para i-biba sa party, gabanda sa
Salog nga pula gikan sa floor wax.

Gatanaw siya sa ilaha gapaningkamot makapunit
Sa bulawanong saad, nagkatawa sa mga batan-on
Ug tigulang mo dive sa ilalom, ang singot gatulo.
Sa ilang pagdumdom, siya ang babae nga permi na’y dala
Para sa ilaha basta nakakompra gikan Kagayan.
Pan, prutas, pahuway.

Siya gihapon na, pero karon ipasayaw na sila
Para makapanihapon, ang lechon nga sinaw
Gahulat sa lamesa didto sa komedor sa ilang
Bagong gi-renovate nga balay. Mi-tugtog ang sonata
Ug papaspas sila’g lihok sa ilang mga lawas
Hantod di na siya kaginhawa sa katawa.

Sa kilid sa lantsa, ginahunahuna niya sila
Kamulo’g tutok sa gindailan, iyang panimalayan naglatag,
Gapahuway. Ang Sagay ug iyang saba nga disco
dapit sa uga’ng dyke, ug ang simbahan nga gihimo
gikan sa gapo. Sa gawas sa Benoni, gahulat iyang
mga igsoon, sulod sa bagong multicab

Para ihatod ang tanan pasalubong pauli sa ilang balay.


Abigail C James is the Director of Creative Development at Nagkahiusang Magsusulat sa Cagayan de Oro (NAGMAC). Her works have appeared in the Carayan Journal, the Bulawan Literary Journal of Northern Mindanao, Tinubdan New Voices from Northern Mindanao: A Literary Anthology, and Dx Machina 4: Literature in the Time of COVID-19, the Likhaan Journal Special Issue. She holds a Master of Arts in English Language from Xavier University – Ateneo de Cagayan where she is currently an instructor at the English Department.

City Cloud

Poetry by | November 6, 2023

Plop, splodge, pump;
Water floods out,
Dark, blue, cold,
The city mutters out,
Man and Child and Woman abound,
All making the trip till sundown;
Walk, Step, Skip;
My sweat pours out.
Bulb, glow, streak;
Refracts the puddles around,
For it is raining,
In Davao’s downtown.


Benjamin Thursday R. Rosaupan is studying AB English at Ateneo de Davao University. He spent almost a decade of his life in Saudi Arabia. He had an interest in English at a very young age, which has continued to his adulthood. He is interested in art, music, and the pursuit of the Eternal Being.

Alang kay Didap

Poetry by | November 6, 2023

Adunay bay tukmang pulong
alang sa kamingaw
ning dughana
nga kita karon
nag-uban pa,
apan sunod adlaw
ikaw mulakaw na

Ug uban sa paglisan mo
handumon ko
ang tanan tang kaagi

Sa kandilaon
mong mga tudlo
nga misudlay sa akong
kulot nga buhok
nga matod mo
paspas ang tubo
kon laki ang mukampa
dala simhot
apan kay ikaw man
maong katunga ra gayud

Sa tingog mong
buntag sayo manampit
sa akong ngalan
takna nga ikaw tabuon
ko og halok sa tuo
mong aping

Sa katawa mong lagtik
nga makatakod
bisan kinsa o bisan kanus-a
inig magvolleyball man,
praktis sa banda,
jam sa kanta ni Moira,
pamainit og sikwate,
plano-plano sa eskwelahan
ug sa atung paingnan

Sa mata mong
puno sa paglaum
sa ngisi mong tahom
sa gininhawa mong lawom
sa akong kiliran samtang
gidamgo mo ang
imung paglisan

Dap, labaw sa kamingaw ko
karon ug sa tanang panahon
giampo kong makita mo
ang tinud-anay nga
kagawasan ug kalipay
niini imung pagbiya

Sa hinaot
bisan asa man kita
dal-on sa kapalaran
niining kalibutana
ug kon itugot
kita magkita pa
sa makausa
tabuon ta ang usa’g usa
sa hugot nga kagus,
matam-is nga ngisi ug halok
sama sa atung
gisaluhan karong taknaa

Sa pagkakaron
hubaron ko
ang tukmang pulong
alang sa kamingaw
nga gibati ko
maskin imung pagbiya
sa wala pa diha.


Loraine Jo calls Talisayan, Misamis Oriental her new home. She finds solace watching fishermen set on their sails along its endless shoreline. She teaches at a public high school in this humble municipality.

How Does One Write

Poetry by | November 6, 2023

for someone
who suddenly died—

when the midsentence
is punctuated

with perpetual ellipses

disguised
in the color of paper

you’ll abandon
with a word that hangs
and longs for a close?

How does one continue
to foretell somebody’s thought

or inkling

from a body that no longer moves—
an unbending shape
stripped off of its narratives
since its eyes have finally closed?


Arvin Ebdalin Narvaza is a poetry writer hailing from Cagayan de Oro City, Philippines. Poetry has always been the compass of his creative journey, guiding him through the vast landscapes of emotions, thoughts, and experiences. With great passion and dedication, he has honed his craft and he strives to share his voice with a wider audience. He published some of his poems at Dagmay, Bisaya Magasin (Manila Bulletin), and Habi Literary Folio. Currently, he is studying for his Ph.D. at Ateneo de Davao University.

Circle Over Another

Poetry by | November 6, 2023

stamped randomly
against the grain
of the wooden table—

each a decade’s worth
of stories summarized
to an hour

of infrequent sipping
and restless hands
that lift and set

the dewing cups
on a slightly newer
place.

Two.

Four.

Five circles.

Outlining where
our stories move.

The next turn
would be yours,
on the sixth

narrative
we punctuate with
silence and stares

as if culling
some things worthwhile
from the hazy past

written on the span
between your eyes.


Arvin Ebdalin Narvaza is a poetry writer hailing from Cagayan de Oro City, Philippines. Poetry has always been the compass of his creative journey, guiding him through the vast landscapes of emotions, thoughts, and experiences. With great passion and dedication, he has honed his craft and he strives to share his voice with a wider audience. He published some of his poems at Dagmay, Bisaya Magasin (Manila Bulletin), and Habi Literary Folio. Currently, he is studying for his Ph.D. at Ateneo de Davao University.

The Birthday

Fiction by | October 23, 2023

But I don’t misread you. I’m seldom mistaken in a man. I think you mean to make your mark in this world. Am I wrong?

No sir.

—Blood Meridian, or, the Evening Redness of the West

 

The soldier slithered down the hole. It took him quickly to dig one, enough to stretch his legs and light a cigarette where he could be hidden. At night lighting a cigarette in the open was a fatal thing to do. You would not want to attract snipers zeroing in on your burning cancer stick. It’s not that it happened to his unit or someone he knew. He’s just damn sure that these things occurred in life, and death is inevitable if to think otherwise. It was a matter of common sense. But these things were far from his thoughts. After years of patrolling these jungles, exchanging gun fire with the enemies, everything was automatic. Common sense was the only thing that stayed. Truth, happiness, even survival was but an illusion. In the hole the soldier heard the burning tobacco. He felt the smoke in his face and the loose soil as he kicked his feet forward.

It’s your birthday tomorrow, kid.

The kid was reminded by their reconnaissance specialist. The man was in his late forties. He was short, stocky, and unusually quick on his feet. He was the type to remember dates, the sharp bend of a river, the number of bullets left in your magazine.

The kid jolted from resting his back and legs and squatted like a baboon who had just been alarmed by an apex predator. The kid’s head emerged from his hole; his eyes squinted and adjusted to the dark that was pushing the moon’s soft glow which was filtered through the leaves onto the realm of the shadows. The kid looked at the cigarette; it lingered enough between his fingers. He took a final puff, inhaled the smoke too deep in his lungs, his head turned light. He flicked the butt to the ground and covered it with dirt.

The kid called the old man, Paps, for obvious reasons. The recon master was the father figure the kid would invent on his many tours in Basilan. Paps taught the kid many things but there is one advice from the old man that stuck with the kid since: always look ahead and keep your attention to where the sound of the firing came from. The old man did not fail to remind the kid that when the time comes there is nothing one can do, but make sure you bring as many sons of bitches with you in kingdom come.

Tomorrow, you will break your vows. Said Paps.

It is scary we are turning this into a ritual. Kid said.

It is not though. You break it so you can make anew.

The old soldier slipped in the many gaps of the very dark jungle. Every step he would take was measured, deliberate, leaving almost no trace of his passage. His senses were attuned to the sound of nature – the swishing of leaves, the distant call of birds, the faint rustling of animals in the underbrush. He would be making a circle, a wide one, to make sure they would pass the night without having to shoot somebody.

The night was still young, and the kid felt restless. Kid was tall and lean, and his rolled-up sleeves choked his toned biceps like a sphygmomanometer torturing a vein to betray its secrets. He moved lightly along the secured perimeter, wading at times over the lush thicket of bushes, a well-choreographed dance between the explorer and the untamed undergrowth. The atmosphere seemed denser as the kid halted before gigantic trees that stood with indifference. He reached for the nearest tree and leaned on it and put all his weight on his back, feeling its rough and sturdy trunk. Kid smiled and relished the cool that was transferred from the tree’s body to his. He looked up at the erratic patterns of the branches, like an outstretched, twisted arms of belabored men. Kid dared not imagine the time passed between these trees and the night.

The kid realized he was not alone. Several paces at his 3 o’clock a short balete tree gave off a faint frisson of excitement. The stories of old, the ones told in his childhood in moments when darkness usurped supremacy from light, had places eerily populated by these exact trees. The thick leaves were barely penetrable, yet his eyes could time the familiar pattern of a smoker’s rhythm, two quick intake and a long-drawn release of smoke. The ember’s glow intensified briefly as if marking a start of a supernatural devise, one that requires enchantment, the collective ignorance of the tribe, and most commonly a daydreamer who is easily wafted from her realities to a realm of fantasy and magic. Axel was perched like a bird on top of the tree, smoking a cigarette and relaxing.

The M240B machine gun was sandwiched between the kid’s legs, its buttstock fixed on the ground. He looked up at Axel one more time. Axel nonchalantly tossed the finished cigarette into the leaves, the last of the embers causing sparks to shoot all over the place. He then climbed down from his nest, agile and powerful and exquisite. The kid caressed the barrel of his M240B. Kid placed the weapon leaning against the tree, its buttstock now snugged among its roots.

Axel swung from one branch to the next, his descent marked by wild ducks passing by. He gracefully clipped his strong hands on the gaps on the strangler fig, his sockless feet wedged firmly along the intricate pattern of the strangler. The soldier’s primary weapon, the 5th generation of Marine Scout Sniper Rifle, faintly swayed as he scaled down the tree, taking time with the rhythm of Axel’s muscles as his back contorted in the struggle. The rifle felt like a natural extension of Axel’s limbs, as if his body was made to hold a five-kilo gun in its scabbard.

Axel sat on a large root, with one combat shoe on and a bright flame that advertised his head for anyone who was steady and decent enough of a shot. The kid approached Axel through a fallen branch that looked like a hedgerow at first glance. The branch was a little elevated so there was enough space under it for wild boars to trot. Kid easily managed through the hurdle and kept a considerable distance from Axel. Kid regarded Axel as the deadliest shot he ever met yet there was an air of carelessness and abandon in him.

The kid knew something was off in his head; he just could not quietly find the right word for it. It was a compulsion, to dig a hole and let the earth partially swallow you, the kid would be pointing out to himself from time to time. The kid thought about these things for a long time. Every time he was confronted by the night, in rain or in the humid atmosphere of the jungle, whether the sounds of frogs or crickets change the quality of air, the darkness of the night, the cursory production of his thoughts, he came to realize that the moment and space which he occurred and all that was present within his immediate experience was but a compulsion by something unimaginable and terrifying.

How old will you be tomorrow? He asked the kid.

Twenty-eight.

They talked a little. They were sparse with words. The long succession of thoughts was but a slave to the jungle, its impenetrable darkness. Perhaps out of boredom the kid told Axel how he almost died when he was seventeen. He was bitten by a snake because he tried to play with it, too stupid not to respect its power.

I was becoming a snake. My eyes were droopy, and I felt coiling over.

Like getting bitten by a rabid dog.

Was it the exact moment you realized that you are not afraid of death?

No, not that time. It was long after that. My first tour of duty. My buddy was struck in the chest. It was a routine encounter gone bad. Of course, I peed on my fatigue trousers.

 

He rubbed his eyes and gently massaged them. He heard a growl from a distance. The sound was from a wild boar in a hole. He was fully awake now, his senses acute. The kid jumped off from his hole. The kid stretched his legs from side to side, kicking the air at times. He stretched his arms as if grabbing something from the air. He threw some punches, straights, and then short jabs. He then squatted for several minutes. Kid checked his watch again. He should do it quickly before the sun was up.

From his service backpack the kid pulled out a sword. The scabbard was made of mahogany wood, selected for its durability and appealing grain patterns. It was carefully polished which made its surface smooth, a testament to the expert craftmanship only a master swordsmith from the town of Tugaya was capable of. The brass decorative elements meticulously embedded into the wood accentuated its elegance. The brass accents featured intricate filigree patterns and delicate swirls that caught the light and casted enchanting shadows as they wrapped around the scabbard.

Many years ago, he travelled to Lanao del Sur, to a village in Tugaya to seek a master swordsmith. The Meranaos were known for their quality craftmanship. Kid learned about the Rentaka, or the swivel cannon made of bronze from the book Kuta Bato. Tucked in the southwest side of Lake Lanao, Tugaya was home to the highly skilled artisans who crafted his kris. Kid squeezed its hilt and unsheathed the sword. He swung the sword several times, mastering its balance. The kris was swift in the air; it swished as it cut through the cool breeze at dawn. He was careful not to cut the overgrown bushes or shrubs. He started off as he opened his eyes wide, his feet were quick against the treacherous grounds. Kid’s brows narrowed, his countenance, in the greying light, filled with intent.

He made it no time where a goat was tied to a bush. The mujahid, motionless, remained tied to a tree. His hands and feet were bound, and he was pressed against the tree with a rope. His mouth was tightly bound with cloth and a duct tape made sure it was secured. Kid looked at the goat as it started feeding off the grass. On his waist was his kris hanging and he touched it and felt the wooden scabbard was cold. The man was already awake, and his eyes were blood shot. The man was short and lean who looked like he never had eaten in weeks. He shivered in the cold and hunger.

Kid took out a knife and cut the rope which bound the man from the tree. He then proceeded to cut the duct tape that held the cloth to muffle his mouth. His eyes were without emotions, as if signalling to do the thing what the kid came for. His hair was greasy and covered his forehead. The man had a small nose and his dry mouth crooked, almost drooping on one side.

Have you talked to God?

The man’s lips undulated, his mouth constant of its reach for the mysterious. Then it stopped. His face tightened; his teeth pressed hard against each other. The man’s eyes were wide as ever, tired, and indifferent.

In the delirium of the prayer the kid had already in his hand the kris. He had some memories that returned to him before he was to do the act. They were all pictures now with blurry edges. What was about to happen was as insignificant as those that he thought at first worthy of introspection. Kid’s mind did not evoke fear nor pain nor ill-will nor shame. He had no desire to struggle and triumph against everybody, to master life and at times to bring an end to it.

With one swift motion the kris slashed through the throat of the prisoner. The kid realized that what he was doing begun for him before the first time he entered the jungle, before he trained and hardened his body and learned how to shoot. It was important that the kid acknowledge that.

He hacked the side of the head and blood squirted from the crack. He hacked the shoulders and limbs. Kid stabbed at the heart and the stomach; the bowel exposed in the cold air. The body leaned on the tree now. It shook as it received blows, the metal crashing against the bones and flesh. The connection of their consciousness was severed now. The prisoner was no longer a man now; the body was more like branch in the jungle that fell and made a thud against the ground. The kid was exhausted, and he stopped.


Alter is 42 years old and lives with his mother. He teaches English and literature at La Salle University in Ozamis City. He is trying to finish his MA in Creative Writing at Silliman University. He plays tennis and ponders on writing a book of poetry about the game and the people who play it. He was a fellow for poetry in the 28th Iligan National Writers Workshop.

Pagtuo

Poetry by | October 16, 2023

Miyungyong
sa akong buhok
ang matag lusok
sa tubig,
midagayday

paingon sa panit:
matag kuskos og sabon,
mamugna sab
ang mga bula
nga unya matangtang

uban sa mga hugawng
namilit sa lawas.
Kaniadto, gitudlo-an
ko sa akong amahan
nga mag-ampo

una maligo
ug dihadiha,
ang katugnaw
miangkon kanako,
ako ug ang tubig,

nahimong usa.


Ivan Ridge Arbizo is pursuing an English Language Studies (ELS) degree at Holy Cross of Davao College.