The transforming image is one of the most captivating things about poetry. When a poem transforms one thing into another right before the reader’s eyes, it becomes magical. Such a feat of ingenuity demonstrates the creative genius of the poet-magician.
This poetic element has been central to the poetics of many Filipino poets. It has been argued by many Philippine literary critics that the earliest form of poetry in the Philippines is the riddle, which represents things in fresh, often startlingly unexpected ways to tease the curiosity of the reader or listener. The “teasing of curiosity” lives on today to be the main appeal we get in reading poetry.
The successful execution of transforming imagery involves comparison between two things, and by properly connecting the dynamism of one thing to that of the other. The transforming image may be central to the poem, or may simply be a supporting element in its overall effect. The image may result in fantastic, often semantically deviant language, or it may arise in intended ambiguity.
Today, particularly in Davao, the transforming image is championed by local men of letters such as Don Pagusara and Macario Tiu, and many young writers, picking up from their poetics, also demonstrate this in their poetry.
A look at three particular poems by young Davao poets would reveal a harvest rich in imagination and transforming images.
Continue reading Transforming Imagery in Three Poems by Young Davao Writers
