Sapay Koma

Nonfiction by | September 14, 2008

This won 3rd prize, Essay in English, Don Carlos Palanca Memorial Awards for Literature 2008

“I looked at Maria and she was lovely. She was tall…and in the darkened hall the fragrance of her was like a morning when papayas are in bloom.”
–Manuel Arguilla

On our first Valentine as a couple, he gave me a bowl of white nondescript flowers. They had a distinctly sweet but faint scent. I had never been a fan of Valentine’s Day nor of love like a red, red rose; but that day, I became a believer. He told me they were papaya blossoms from his mother’s garden. At that moment, I knew I would one day marry him. We had started dating only three months ago, but I knew I would be Maria to his Leon. Why, he even had a younger brother the same age as Baldo! And even though they didn’t live in Nagrebcan nor owned a carabao, the town of Itogon, Benguet was remote enough for me. I have always enjoyed teaching the Arguilla story for its subversive take on the role that one’s family plays in a marriage; but having been born and raised in Pasay City, I had no idea what papaya blossoms smelled like. I imagined that my new boyfriend had read the story in his Philippine literature class and meant for me to recognize his gift as an allusion. In fact, I imagined we would defy societal norms and prove that love conquers all. Instead of a “theme song,” our relationship had a story to live up to. It was a disaster waiting to happen.

Continue reading Sapay Koma

An English painter in Davao, 1934

Nonfiction by | September 14, 2008

Head of a Philippine Child (Davou)
Head of a Philippine Child (Davou)

When Ian Fairweather stepped ashore at Santa Ana Wharf at Davao in August 1934 he was a 43-year-old Englishman at the beginning of his career as an artist. He had been a prisoner of war during World War 1, an art student at London’s Slade School of Art, travelled across China, spent nine months painting in Bali, visited Australia and had come to Davao on the proceeds of a painting that was sold to the Tate Gallery in London.

On the afternoon of his arrival he walked south along the coast to Piapi where he found a house and that evening he wrote, “It stands on stilts amongst the coconut trees on the edge of the beach, it looks something like a bird cage – on the ground beneath it – chickens and pigs – babies and land crabs and boats – it’s the sort of place I’ve dreamed of.”

Continue reading An English painter in Davao, 1934

Davao: A View

Nonfiction by | September 7, 2008

I have been here in Davao for five years, so I am no longer a stranger in this city. But I still find many things amusing and interesting.

The principal means of transportation in Davao is the jeepney. It really makes me crazy. I like the jeep but I am afraid of it. I like it because it is very colorful, and has varied forms, and has a nice sound system.

My fear comes from the jeepney driver. He is the boss of the road. He moves when he wants to move, and he stops when he wants to stop. The only rule for him is no rule. New drivers are really afraid to drive in the streets, although some say it is the best practice to learn to drive.

Continue reading Davao: A View

Coming to Davao

Nonfiction by | September 7, 2008

Coming to Davao is the most important decision I’ve made in my life so far. I had felt then that I would regret this decision, which is why I don’t remember the date when I made it. But it was in late May of 2007, and my parents and I were discussing about where I would go to continue my studies. Certain circumstances had forced me to look for another school other than the one I had attended for fourteen years.

I was given three options: to transfer to a “lesser” school in Manila, or to start working at a call center while taking a short computer course on the side, or to move and study at the Ateneo De Davao University and so at least maintain the name of my previous school.

Continue reading Coming to Davao

The Yin-Yang of Durian

Nonfiction by | August 10, 2008

Eating durian is an experience like no other. In Mintal, durian trees abound; so, in durian season, which starts around July, Mintal welcomes you with the distinctive scent: pungent as the jackfruit; addictive as rugby; and, strong as coffee. My favorite variety, Arancillo, is like a balled porcupine, with shades ranging from olive green to khaki depending on the ripeness, and is usually no bigger than a basketball. Continue reading The Yin-Yang of Durian

Shifting Gears

Nonfiction by | August 3, 2008

My father believed that life could flourish even when surrounded by cold concrete sidewalks, black asphalt roads and rows upon rows of silent houses sitting on stiff, detached cobbled stone shoulders. Such was Manduriao, Iloilo, my first home. The noiseless streets never drove me away. It only meant that there was more space for laughter and interesting chatter. It meant more space for my dreams, dreams that were expanding and multiplying. It meant more time seeing what else I could when everything seemed so familiar.

After two years, my family moved to La Paz and there I encountered what true greenery was like. Friends shot up all around us like wild grass but they were true and sincere people. I made many friends, enjoyed many annual festivals, and basked in the warm and pleasurably enduring sun. I was a healthy young girl who loved the spacious local park and frequented houses that were never without the wonderful aroma of boiling sinigang and arroz caldo. The night sky was always clear and bright with an assembly of stars to watch every night.

It was indeed my little paradise.

Continue reading Shifting Gears

Tilting at Windmills

Nonfiction by | July 20, 2008

“’But I don’t want to go among mad people,’ Alice remarked.
‘Oh, you can’t help that,’ said the Cat. ‘We’re all mad here. I’m mad. You’re mad.’
‘How do you know I’m mad?’ said Alice.
‘You must be,” said the Cat, ‘or you wouldn’t have come here.’”

— Lewis Carroll, Alice in Wonderland

My earliest recollection of being near a madwoman was when I was nine. Her skirt was black with large, white flower prints cascading down its length to her toes. Her blouse was white and faded you could see her tits cleaving to it. If I was afraid of her, it was because she was an Other, as God was an Other. After all, a small town could grow legends, tall tales— she was in one of those, and I believed it. If anyone would have asked me then how she got into the farthest end of the house without waking the dogs, I would have answered she had a power over animals.

That day, Mom was repotting lirios in her garden when the lunatic grabbed her by the shoulders and shook her hard. Mom turned around and simply said, “Why! You’re here again.” Continue reading Tilting at Windmills

My Idiotic Brush with Death

Nonfiction by | July 6, 2008

No matter how brilliant I consider myself to be, I find my usually-intelligent existence punctuated by spots of utter idiocy.

I went to my aunt’s family’s restaurant in Great Neck, NY to bake my idiot-proof peaches and cream cake. It didn’t turn out so idiot proof because as any scientist would know, you need the same elements in an experiment to produce the same result, and Shoreline, Seattle (where I got this recipe) is not Great Neck, and a large restaurant kitchen scaled for mass production does not necessarily have everything a small home kitchen does.

So, anyway, the cake was baked. We left it to cool in the large walk-in refrigerator and I went back to reading my Terry Pratchett book till it was time to bring Joyce to her piano lesson.

It’s almost 3. Time to go, but where could Uncle Jobie be?

He’s not in the dining section… not in the kitchen… not in the loading area… could he be stuck in the walk-in fridge?

Continue reading My Idiotic Brush with Death