Hermana and Her Man

Fiction by | October 10, 2010

She turned from the open window to the man sprawled across the bamboo bed, observing his nakedness and stillness, which reminded her of a corpse. She stared at his slightly parted lips, from which, a long time ago, affection was uttered, and from which, recently, came words of contempt and abuse. She looked at his brown skin, which she used to bathe with kisses in their sweaty and sultry lovemaking; at the coal-black mass of hair on his armpits, against which she snuggled when they lay spent, exhilarated; and at his chest rising and falling in cadence with his round abdomen. It was at his chest where her eyes stopped because from inside, she knew his heart beat, no longer for her but for the mere mechanism of it, just a muscle pumping blood to his veins, and pumping faster whenever his temper flared. She also knew that the same heart had already weakened upon seeing the pubic hair across his navel; it was caked with blood. On his groin, right above the sagging scrotum, was a bright red stump, from which there were rivulets of blood coursing down the side of his buttocks and the inside of his thighs.

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And the books…

Poetry by | October 3, 2010

And the books will still be there on the shelves, detached souls,
That emerged once, drenched
As shining mangos under a tree after the rain,
And consumed, tasted , delicious fame
Despite defying seasons, crawling ants,
children stoning, the earth in motion.
“Even if” they said, “our pages are worn to shreds,
Shabby and brown, or a fly has been preserved
Between sheets, so much durable
than we are. Whose delicate heat
chills the heart and memory, scatters, expires.”
I imagine when I will be faced out
Replaced by audio, video books – nothing ensues,
no bereavements, no harm, it’ll still be television shows,
Make-ups, money, women, a moment with music.
still, the books will be there on the shelves, able-bodied,
ripe because of people, and also sunlight, crowning.

—-
Hannah Louise Enanoria is a 4th year AB Sociology student of Ateneo de Davao University.

A Möbius Trip

Poetry by | October 3, 2010

The shortest distance between us
is the line that begins on my palm,

travels past a row of cubicles,
exits the revolving doors
and goes around the corner
of the Open University buildings;

meanders along the highways
onto the southern tollway
then with the crisscrossing wires
of the Manila Metro Transit rails;

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Why We Write

Poetry by | October 3, 2010

We write to reclaim a part of ourselves about to be lost in time. To put in cryostasis, a part, a moment of our lives so heavy, so important, so significant we cannot trust our memory to keep it. So we write. To capture a fleeting nest of emotions that wrapped an experience, to nurture an imagination of what could have been. It is to craft into things that can be understood what your being has expressed not in human terms understandable. It may be a flight of the spirit into worlds known only to your universe. Or a profoundest experience so mundane as a clock or a sunbeam. We write to allow the public a glimpse of the private with the risk of being understood or maligned or both. It is to bare oneself, but still with clothes on, words, words as clothes.

—-
Fritz Gerald M. Melodi finished BA Psychology with minors in Philosophy from Ateneo de Davao University.

Tomorrow Night

Fiction by | October 3, 2010

He pulled her hand hastily and brought her to a dark alley away from a lonely lamppost.

They walked deeper and deeper towards the shadows until total darkness enveloped them.

He pinned her to the wall, his lips devouring hers, gentle and fierce, then suddenly her tongue forced its way into his mouth. For a moment she felt surprise, then he responded to her excitement. Roughly he pulled her closer, crushing her breasts against him. Tentatively he let one hand cup her breast and she coiled her leg on his hip. He slipped his hand into her dress and under her brassiere.

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White, Brown, Old, Young

Fiction by | September 26, 2010

My name is Ling-Ling and I am speaking from inside a jar. My place is no ordinary piece of container. Back in 1993, when my husband won a small-time lottery in Australia, he backpacked to China and spent a fortune on antique porcelains. One of the precious things he shipped to Australia is this huge Chinese porcelain jar from the 16th century, painted with blue intricate scenes of ancient Chinese life. But I am Filipino inside a Chinese jar in Australia. Is this an instance of globalization? At least I know I have finally ended up in an exquisite and expensive place.

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