G

Nonfiction by | November 29, 2015

An afternoon, early summer of 2010, at the pathway to the CHSS building of UP Mindanao, I first saw the girl I thought I was going to spend the rest of my life with. Her name was G, a freshman. She had a shoulder-length hair, parted at the center, a thin physique which was emphasized by long sleeves shirt and pants. In my vision, she walked as if her feet stepped on piles of cotton—softly and lightly.

I have always felt a tinge of envy every time I hear stories of romance from people close to me. All of them seemed so easy as though it has long been planned and only the perfect time had to be waited for before the execution.

There were times when I would catch myself smiling at random pictures of my high school classmates with their boyfriends or girlfriends beside them. There was always a hollow in my chest. Scanning through photos on social media, I would sigh and every breath sent air right through the hole in my chest. I could not help but tell myself: I was not one of them. My true identity, as others would call it, was unknown to me until I turned seventeen—a sophomore at UP Mindanao, thriving, getting by, trying to get over with the academic life. It was as if the universe handed me what I could not give myself—a means to determine who I was.

A lot of people have given testimonies before about time and motion slowing down when they meet somebody who could possibly be their other half. And for me, that somebody was G.

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Of Remembering

Nonfiction by | November 8, 2015

The only sound that resonated in one of the crowded rooms inside the lonely mansion at Lugay-Lugay Street was her loud, ragged, and pained breathing. It was 9:45 in the evening, the night after Christmas in 2007. Families, relatives, and friends, rushed from different distant cities and countries to Cotabato City to be with her in her final moments. The golden silk curtains were drawn, the air-conditioning unit was turned off, all the lights were switched on—brightly illuminating every inch of every face, and of everything—in the house, and the white narra door that was always locked was now left wide open for the people to enter and see her in such a heart-breaking state.

She was lying on a hospital bed bought by her eleven children, six sons and five daughters. IV needles were injected on her bruised right hand. She was wearing an oxygen mask that did nothing but to amplify her agonized gasping for air. Her black, thinning hair was tied into a messy knot. Here caramel skin was too big and too loose for her now thin body. As I sat silently in a corner, my back against the whiteness of the walls, she looked very small and shriveled as a leaf that had fallen from the mango tree her firstborn son had planted in her garden.

The hushed sobbing of the crowd. The soft rustling of clothes being smoothed down and brushed. The anxious patting of the bare and naked feet, as the people in the room shifted their weight—left foot, right foot, left foot, right foot. The holding of breaths. The passing of time. Her breathing slowly fading away. Silence. Her youngest daughter’s horrified wail followed by her youngest son’s urgent warning, “Stop it, stop it. Do not cry.” Her husband’s nervous laugh as he tried to crawl out of the room. These were the sounds that pulsed in the room as my heart thumped heavily in my chest.

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Against Pamimintana: Writing in the Age of Facebook

Nonfiction by | November 1, 2015

This afternoon I will talk about the phenomenon that has influenced my own writing the most, both in terms of theme, sensibility, and the way I process the world. I do not think I will ever be capable of writing anything without this phenomenon as a pervasive backdrop. Globalization assaults us in many fronts. Political, economic, military, cultural, even technological, which is linked to both the economic and cultural brands, which shows the systematic quality of this phenomenon. For our purposes today my usage of the term will refer almost always to the cultural brand of globalization.

The most direct and least complicated influence of globalization in this generation of writers is in terms of thematic, material, and sensibility. A cosmopolitan worldview that is a result of being exposed to a wealth of information and experiences suddenly accessible. Superficially, this can mean having characters who listen to John Legend, make jokes about Game of Thrones, or religiously maintain a tumblr account—all terrible examples. My current project, if I may use my own work as example, is about the call center industry. It attempts to show how outsourcing typifies a new global configuration that is merely a continuation and a new stage of colonialism, only this time there is no battlefield, at least not in the literal sense. It as a storyline that could only have been produced by a highly globalized reality.

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The Bangkok Masseur

Nonfiction by | September 20, 2015

1.
Celebrated on the 2nd weekend of April, Songkran is a three-day holiday befitting Bangkok, the city of rivers and waterways. The city returns to its true form: children with blue and red water rifles counterflow the gray pedestrian logic of the streets, laughter bubbles from the streaming alleys, jets of water crisscross and cloud the scrapers spiked to the earth. For many foreign gay men, the holidays are exciting opportunities to flirt with locals and fellow tourists. Siam Square becomes an open playground. The dynamics of Silom are a different case: wet the cute ones with your colorful phallic object, aim true, and do not forget to smear each other’s faces with white chalk dust. These are blessings. Bless the body with the element of rebirth.

My companions simply wanted see how Bangkok would dissolve in its wet and wild carnivalesque of a basin on a Songkran weekend. I shared their excitement too, but there was an equally important goal for this trip.

When the story is not finished, return to the place.

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The Compromise of Heights

Nonfiction by | September 6, 2015

In the southern part of Davao City, there were as many coconut trees as there were rustic houses. The trees proudly stood at different heights and formed dancing shadows on our rooftops.

If one drove south and traversed the span of General McArthur Highway, he or she would encounter the expanse of green spires to the right and the so-called rich kids of my high school alma mater, Ateneo de Davao, to the left. Up ahead, Mt. Apo stood as a majestic background, forming a splendid tapestry behind a then emerging urban space.

When I was younger, I believed that a skyline spoke of a city’s own wealth and progress. And in more ways than one, this was true given that the skyscrapers of New York and Chicago were often objects of fascination in Hollywood movies during my time. To me, greater heights meant greater progress — in the same manner that a rural area’s development meant a Jollibee store opening doors for the first time to people close to its proximity.

It was no surprise that a few years before the year 2000, I became an 8-year old witness to how people regarded the Marco Polo building as a sacred symbol of Davao’s ability to keep up with the modern times. Everything beyond it, however, was still flat. This observation made me conclude that my hometown has only humble beginnings and a slow pace for progress.

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For Bernice, In Memoriam

Nonfiction by | June 7, 2015

I vividly remember that one Christmas Eve. Unlike all other Christmas Eves when the house is filled with the jubilant air of a family celebrating the holidays in torn gift wrappers, a sumptuous feast, and the warmth of contented hearts, on that year, December2011, the house seemed empty and cold.

I stared out the window with all the lights out; it was festive outside our house. The streets had parols and there was the occasional firecracker followed by a yell and the scampering of feet – we live three hours away from Davao so the banning of fireworks was unheard of. The scene outside was quite a contrast compared to the lifeless house that forgot about Christmas.

As a family tradition, my mother would prepare our Noche Buena feast on the day itself. Typically, it is a tiresome day of making sure that the ox tongue is boiling away over firewood. This would be the star of mother’s lengua in white sauce; her delicacy known all over Nabunturan. On top of that, there is also the carbonara, karekare, and baby backribs to take care of. Mother also prides herself with making the best no-bake blueberry cheesecakes in town. A recipe she has perfected over the years.

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In Need of Care

Nonfiction by | May 31, 2015

Adopt

Origin: Middle English, from Middle French or Latin; Middle French adopter, from Latin adoptare, from ad- + optare to choose

transitive verb

1: to take by choice into a relationship; especially: to take voluntarily (a child of other parents) as one’s own child

2: to take up and practice or use <adopted a moderate tone>

3: to accept formally and put into effect <adopt a constitutional amendment>

4: to choose (a textbook) for required study in a course

5: to sponsor the care and maintenance of <adopt a highway>

intransitive verb

: to adopt a child <couples choosing to adopt>

(Merriam-Webster Dictionary)

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“Paano pala namatay ang mommy mo?”

“Diabetic kasi siya”

“Hala. Dapat ikaw mag dahan-dahan ka.”

“Di man. Di man ako maapektuhan.”

“Bakit man?”

“Adopted kasi ako.”

I am an adopted child. My parents told me when I was 10 years old. They thought it was the right time to tell me that I was because I was starting to ask questions and wondered why people looked at me differently during family gatherings. I also wondered why my playmates would call me ―adopted whenever we had a fight during one of our games.

“May gusto kami sabihin sa iyo”

“Maalala mo noon na may nagasabi sa iyo na adopted ka lang?”

“Totoo?”

“Oo”

That was how my parents broke the news to me that I was indeed an adopted child. My tears that night represented every moment of my childhood where I felt confused why my playmates teased and why my relatives looked at me as if they were wondering how and why I got in to the family.

My mom said I met my real mother once. She wanted me to remember that day. She wanted me to remember the scene when I saw this woman sitting in front of her desk, crying. I did remember. But I couldn’t picture out the face of that woman. I couldn’t even remember how I felt when I saw that woman. My mom said I could meet her again. I said yes. But deep inside I felt it was unnecessary because I was not looking for her and didn’t feel the need to see her.

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I Live to Die

Nonfiction by | May 24, 2015

I can still remember the laughter and smiles we shared together, the happy Christmas songs we sang, the fun games we enjoyed, the delicious food we ate and the wacky poses we did in front of the camera. Who cares if the wind is already tormenting the leaves of the trees outside? Who cares if the light keeps on turning on and off? And who cares if PAGASA raised the storm signal to number two? It is our Christmas party, for God’s sake! It is the last time we will meet each other for the year; we should be enjoying and celebrating the birth of the Lord. Who cares? We never had an idea that that was really the last Christmas party of our friend nor did we know that indeed that was the last time we will see her, ever.

She went home earlier than any of us. Before she left she said “thank you”, in a happy tone. We never knew that those were the last words we would hear from her. We tried to stop her but she explained that her parents already want her home since it’s already passed ten o’clock in the evening. Even when she left we continued the party. Who cares? We never knew what would happen three hours later.

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