for Aida Rivera-Ford
On the eve of the Chinese Lunar Festival in October 2009, Aida Rivera-Ford invited me to her farm in Mintal to see sculptures of Nick Joaquin and NVM Gonzales made by National Artist Victorio Edades. I grabbed the chance to spend some time with her, a woman writer I considered a kind of literary mother for having paved the way for those of us who write fiction in English. I used to teach her story “The Chieftest Mourner” in my Philippine Literature classes and La Mujer Esa is an icon for me. As it turns out, Aida had a more interesting story to share. And it’s not the one about Don Jose Oyanguren, the Spanish conquistador who took Davao and whom she considers her soulmate.


Two days before I was to leave for Palawan to join the first Adverbum Writers Retreat in Palawan, a 7.2 magnitude earthquake hit Central Visayas at past 8 in the morning. Soon after, social network newsfeeds were filled with initial images of the destruction it wrought. Later, television news programs provided more details. It broke my heart to see the ancient Baclayon and Loboc churches destroyed, but even more distressing were the number of human casualties. The earthquake was also felt in Davao City, but to a lesser extent, and with no reported damage. Still, I couldn’t help but feel anxious to leave my two children for a week to do something entirely for myself.



