Category: Poetry

Indulging in a Cup of Black Coffee

Poetry by | June 17, 2012

For JMS

I have had to come up with
various techniques to stop
myself thinking about how
to savor this hot and bitter
black coffee without
thinking about jaded thoughts;
the never-ending persuasion
of warm faces, of me moving
to their department ,
-wanting me to stop thinking
because there’s none to doubt about.
or the steam faint vapor waking like
loin girding shouts of unfamiliar souls
whom I only spoke with during a phone call,
or the barren poems and jumbled
metaphors, thirsting, waiting
for me to pen their existence down
on a piece of cold
and crisp white paper; to let them live
in a majestic universe
they deserve to own.
or the clear vision of you
and that girl walking in the rain,
sharing one umbrella,
trudging a journey, leaving footprints of bliss
stirring me to sudden melancholy,
or the lurid idea that stimulates me
to think , to go on
to taste the reality of fortune, of a ‘yes’
though my heart always
sip and drink down a caffeinated ‘no’
because in a pure, honest and
absent minded stupidity, I want
to stay because
I love you.
And this is the only catharsis
the sole epiphany
I have kept and own.
To continue
loving you,
To stay,
to stop thinking
and start finishing
a cup of
hot and bitter
black coffee.

—
Henrietta Diana de Guzman is a graduate of Creative Writing at UP Mindanao. She was a fellow for poetry at the 2009 Davao Writers Workshop and at the 2nd Sulat DULA: Playwriting Workshop at Xavier University (Ateneo de Cagayan University). Some of her works have appeared in SunStar Davao and the Best of Dagmay anthology.

Heller's Confession

Poetry by | June 10, 2012

Blame it on the god
for making creatures
conscious only for
an instant. The past
being a memory;
the future, a goal;
the desire’s requests,
imagination.
Because if I were
to be aware of
my existence in
all of dimensions,
I would sure subsist
in this world before
you have become
an institution of–
an incarnation
of classic authors,
a puppet of my
basic aesthesis.
One generation,
our mothers would breathe
us out; couples of
creativity;
couples born of words
as we memorize
a language; as we
fiddle with stories
lines, schizophrenic.
There would be no gap
between years in school.
I’d be eager to
relish walks in the
universities,
your hand clumsy on
mine. And in our youth
just a cognition
an innocent view
of how couples make
love. Slow move affair
like commercial films
you critic quickly.
I do not intend
to reveal secret
thoughts in between us.
The years together
defined love– for some,
pity, for me, lust.
For you, as teacher,
as educator,
there are millions of
tales in between moans.
I am grinning at
a memory, clear
but surreal, no fear.
You might grasp death which
arrives before mine.
While I write my name
on publications,
you finally take
Sabbatical leave,
in time for content
to preclude more dreams,
in time for me
to make more ambitions.
I am afraid. I
am afraid. I need
to confess. The truth
is fidelity
has been testing me.
With these dreams of you
It, a kinder state.

—
Glorypearl Dy is a fellow of the 2011 Davao Writer’s Workshop. She works as a consultant writer for an outsourcing company.

Water Wounds

Poetry by | June 3, 2012

The pure present is an ungraspable advance
of the past devouring the future. In truth,
all sensation is already memory.
— Henri Bergson, Matter and Memory

To know, you must remember, you said,
standing before water, as you hurled
pebbles into the air, watching
with utter pleasure, the trajectories
of their graceful fall. And the rippling
you dismissed as a minor ache
of distortion, fleeting disturbance
of a mirrored sky. See,
no scars when the water heals.

Numerous nights, I dreamed
of all those pebbles you threw,
gleaming, white under moonlight.
Now the pond is gone. Nothing
remains to gather, lovingly,
with cupped hands—only stones
different from each to each. But
what matters most? Only this:
the potent myth of an eternal moment,
this heart-quickening sensation
of how the voice of still water,
receiving a white pebble into its body,
mimics the perfect way you say “ah!”

—
Maiq Bonghanoy, an editor, received his degree in creative writing from the University of the Philippines Mindanao.

It's Not Always Sunshine in the East

Poetry by | May 27, 2012

She died crouching in the vertical box;
with grains of rice occupying every available space
there is to occupy.

Somewhere, outside the door,
hermit crabs are running away from the dark,
trailing tattered strands of
torn yellow ribbons.

Torn yellow ribbons tied
through holes, on clotheslines
and on the dented barks of coconut trees
standing in lines outside the house,
guarding the house
as military troops storm the streets with
their bayonets; screaming, thirsting for soft flesh–young flesh.

And little girls flee,
near the sea, through the city, into the woods,
not wanting to be seen.

Like hermit crabs
they flee
and they hide

only to die crouching in the rice dispenser
with grains of rice occupying every available space
there is to occupy.

—
Bam Baraguir majored in Asian Studies at Ateneo de Davao University. The poem was written while the author spent some months in Myanmar for a volunteer work with an NGO. She was born, and lives in Cotabato City.

High School, Years After

Poetry by | May 27, 2012

(for my MSU-IIT IDS batchmates)

You sit where you are: at the heart
of the city, its mechanical throb
booming in your chest, or perhaps
under the shade of acacia trees
by the sea wall. The horizon hides
a life long over. You are there
also, in the old high school building,
yellowing in the pages
of a forgotten yearbook,
rusting in the trophy room
weathered by the glance of children
in polo shirts and pink skirts,
children who were once you,
you understand, even as you outgrew
yourself, those kalachuchi trees
in perpetual autumn. You have all
fallen like flowers. Into your
respective plots of soil. All else you leave
to the wind, to the passing
kick of black shoes
amid the crunch of gravel.
Or else you wait to be picked up and sniffed.
You sit where you are.

—
Raised in Iligan City, Arkay Timonera was a fellow at his hometown’s National Writers Workshop in 2010. He studies in Silliman University.

Unta

Poetry by | May 27, 2012

Misubang na ang adlaw,
nagpahiyom pa gihapon ang bulan sa kawanangan.
Ning tip-as sang paglantaw,
Nagahulat sa pagtabon sa kahayag.

—
Ralph Andy Ranario studies Bachelor of Science in Accountancy at Xavier University-Ateneo de Cagayan.

To Date a White Guy

Poetry by | May 27, 2012

I know what they’re thinking.
When they look at me,
they automatically assume
that I spent more hours
sitting in front of a computer
rather than get a career
and that probably
I was the kind to always want the
easy ways out of life.
They will start cracking jokes about how
you rescued my family from poverty and how
big my budget was for papaya soaps
and pedicures, which never did a lot
for my “native” look anyway,
this money, which came from you anyway.
When I talk, I’m sure they will listen.
They will listen to every
word, watch out for incorrect prepositions,
interchanged pronouns, or a run-on sentence. Sometimes,
I want to indulge them and say an
unforgivable grammar mistake, but I can’t.
I’m well-read, well-versed and eloquent, fuckyouverymuch.
They’d think that we met in Boracay,
spent a weekend together, then brought you home to introduce you
to my family–they’ll even try to guess which
godforsaken probinsya I must’ve come from
and debate whether electricity or good Internet
connection was running there.
They’d assume you came to see me and
marry me because I will take care of you and be your
official caregiver, and you’d be my ticket out of this third world,
not because we are madly in love.
Maybe they’d even throw in a joke or two
about how we may never fight because whenever
we start to, it would end by you saying, “Green card”.
Honestly, I know all of these.
I know all of these by heart.
I can feel it in my
bones, feel the weight of the words
they so want to speak. I feel
the heat of their stares and the pangs
of their disappointment. And I know,
that every time I seem to prove
them wrong or when we look ridiculously happy, I know
they’re jealous of me.
Yes, they’re jealous of me.
Their own racism is killing them. And that,
when I know, I always want to bask in its glory,
feel the moment; I’ll carry it on my way home,
put it in an airtight bottle,
bathe in it every waking morning.

—
Karla Stefan Singson currently leads her Davao-based events and PR outfit, PREP (PR, Events and Promotions). She also writes for print and online media.

Panumdom

Poetry by | May 6, 2012

Niagi ang kuwarenta minutos
Apan ang bus dili mo-isbog.
Ang akong tupad nga mga Hapon
Mikuhas ilang earphone,
Daw naminaw ug tukar o di ba balita,
Napungot kay ang mga sakyanan
Sa Beretania dili gasibog.
Sa akong atbang, dunay duha
Ka Amerkanang sigeg tan-aw
Sa ilang relo, dala yam-id
Kon ang bus mo-irog lag diyotay.
Sa way dugay, adunay mga nanganaug
Nga daw samas sundalong samdan.
Ug wa ko hipugngi ang pahiyom
Nga naumol sa akong mga ngabil
Sa dihang nikidlap sa kong panumdoman
Ang akong gigikanan.

—
Jayson Parba is currently enjoying his Fulbright Foreign Language Teaching Assistantship (FLTA) Program at the University of Hawaii at Manoa. He comes from Cagayan de Oro City and teaches literature and ESL courses at Capitol University.